Click on the headline to link to a YouTube film clip of The Drifters performing their classic Save The Last Dance For Me
CD Review
AM Gold: The Early ‘60s, various artists, Time-Life Music, 1992
Scene: Brought to mind by one of the songs in this compilation, The Drifters classic end of the night high school dance number, Save The Last Dance For Me.
Recently, when I was reviewing a companion CD in this Time-Life Music series, AM Gold: 1962, I mentioned, in detailing some of the events surrounding the North Adamsville Class of 1962-sponsored version of the traditional late September Falling Leaves Dance that one of the perks that year was getting to hear the vocals of local singer and classmate, Diana Nelson, backed up by local rock band favorite, The Rockin’ Ramrods. I also mentioned that her selection had been the result of a singing competition held by the town fathers and that I would relate some of the details of that competition at a later date. That time has come. Additionally, I related that I had had a “crush” on Miss (Ms.) Nelson since I started staring, permanently staring, at her ass when she sat a few seats in front of me in ninth grade. At the time of the above-mentioned dance she was “going steady” with some college joe, and had not given me the time of day, flirting or encouraging-wise, since about tenth grade, although we always talked about stuff, music and political stuff, two of my passions, and hers too. Here’s the “skinny.”
******
No question that about 1960, maybe into 1961, girl vocalists were the cat’s meow. (Okay, young women, but we didn’t call them that then, no way. Also no way as well is what we called them, called them among we corner boys at Salducci’s Pizza Parlor, especially when we got “no action.” I don’t have to draw you a diagram on what that meant, right?). You can, if you were around then, reel off the names just as well as I can, Connie Francis, Carla Thomas, Patsy Cline, and the sparkplug Brenda Lee. I won’t even mention wanna-bes like Connie Stevens and Sandra Dee, Christ. See, serious classic rock by guys like Elvis, Bo Diddley, Chuck Berry and Jerry Lee Lewis was, well, passé, in that musical counter-revolution night. But music, like lots of other things abhors a vacuum and while guys were still singing, I guess, the girl singers (read young women, okay, and we will leave it at that) “spoke” to us more. Especially to record- buying girls who wanted to hear about teen romance, teen alienation, lost love, unstoppable hurts, betrayal (usually by the girl’s best friend and her boyfriend, although not always), lonely Friday nights, and other stuff that teenagers, boys and girls equally, have been mulling over, well, since they invented teenagers a long time ago.
So it was natural for the musically-talented girls around North Adamsville, and maybe around the country for all I know, to test themselves against the big name talents and see what they had. See if they could make teen heaven- a record contract with all that entailed. In North Adamsville that was actually made easier by the town fathers (and they were all men, mostly old men in those days so fathers is right), if you can believe that. Why? Because for a couple of years in the early 1960s, maybe longer, they had been sponsoring a singing contest, a female vocalist, singing contest. I heard later, and maybe it was true, that what drove them was that, unlike those mid-1950s evil male rockers mentioned above, the women vocalist models had a “calming effect” on the hard-bitten be-bop teen night. And calm was what the town fathers cared about most of all. That, and making sure that everything was in preparedness for any Soviet missile strike, complete with periodic air raid drills, christ again.
In 1962 this contest, as it was in previous years, was held in the spring in the town hall auditorium. And among the contestants, obviously, was that already "spoken for" Diana Nelson who was by even the casual music listener the odds-on favorite. She had prepped a few of us with her unique rendition of Brenda Lee’s I’m Sorry so I knew she was a shoo-in. And she was. What was interesting about the competition was not her victory as much as the assorted talents, so-called, that entered this thing. If I recall there were perhaps fifteen vocalists in all. The way the thing got resolved was a kind of sing-off. A process of elimination sing-off.
Half a dozen, naturally, were some variation of off-key and dismissible out of hand. These girls fought the worst when they got the hook. Especially one girl, Elena G., if anyone remembers her who did one of the worst versions of Connie Francis’ Who’s Sorry Now I had (and have) ever heard. The more talented girls took their lost with more grace, probably realizing as Diana got into high gear that they were doomed. But here is the funny part. One of the final four girls was not a girl at all. Jimmy C. from right down the end of my street dressed himself up as girl (and not badly either although none of us knew much about “drag queen” culture then) and sang a great version of Mary Wells’ Two Lovers. Like I said we knew from nothing about different sexual preferences and thought he just did it as a goof. (I heard a couple of years later that he had finally settled in Provincetown and that fact alone “hipped” me to what he was about, sexually.)
I probably told you before that one part of winning was a one thousand dollar scholarship. That was important, but Diana, when she talked to me about it a couple of days later just before class, said she really wanted to win so she could be featured at the Falling Leaves Dance. Now, like I said, I had a big crush on her, no question, so I was amazed that she also said that she wanted me to be sure to be at the dance that next late September. Well, if you have been paying attention at all then you know I was there. I went alone, because just then I didn’t have a girlfriend, a girlfriend strong enough for me to want to go to the dance with anyway. But I was having a pretty good time. I even danced with Chrissie McNamara, a genuine fox, who every guy had the “hots” for since she, just the night before, had busted up with Johnny Callahan, the football player. And Diana sang great, especially on Brenda Lee’s I Want To Be Wanted. She reached somewhere deep for that one.
Toward the end of the evening, while the Rockin’ Ramrods were doing some heavy rock covers, Chuck Berry’s Sweet Little Sixteen I think, and she was taking a break, Diana came over to me and said, I swear she said it exactly like this- “save the last dance for me.” I asked her to repeat herself. She said Bobby (her college joe) was not here that evening for some reason I do not remember and that she wanted to dance the last dance with someone she liked. Well, what’s a guy to do when someone like Diana gives her imperial command? I checked my dance card and said “sure.” Now this last dance thing has been going on every since they have had dances and ever since they have had teenagers at such events so no big deal, really. Oh, except this, as we were dancing that last dance to the Ramrod’s cover of The Dubs Could This Be Magic Diana, out of the blue, said this. “You know if you had done more than just stared at my ass in class (and in the corridors too, she added) in ninth grade maybe I wouldn’t have latched onto Bobby when he came around in tenth grade.” No, a thousand times no, no, no, no…
Showing posts with label patsy cline. Show all posts
Showing posts with label patsy cline. Show all posts
Thursday, October 13, 2011
Wednesday, October 5, 2011
I Fall To Pieces Each Time I Hear Her Sing-Pasty Cline: Live At The Opry-A CD Review
Click on the headline to link to a YouTube film clip of Patsy Cline performing I Love You Some Much It Hurts Me.
CD Review
Pasty Cline: Live At The Opry, Patsy Cline, MCA , 1988
For those of us of a certain age (growing up in the early 1960’s) the timeless voice of Patsy Cline, whether we were aware of it or not, formed the backdrop to many a school dance or other romantic endeavor. I was not a fan of Cline’s, at least not consciously, growing up but have come to appreciate her talent and her amazing voice since then. In another earlier review in this space I have called her the ‘country torch singer’ par excellence. And she does not fail here, although this work reflects a time when she was deep into a countrified sound reflecting her background and the kind of audience that her songs would appeal to starting out. Later she would smooth out that voice to reach a more popular audience. Patsy, like many another torch singer like Bessie Smith or Billie Holiday, needs to grow on you. The best way to do that is grab this album and sit back. You won’t want to turn the damn thing off (except to wish that you could delete the intros, unavoidable, on a live album based on a radio show.)
Stand out covers here devoted to the themes of love, lost love, found love, misplaced love, and perhaps, hate if things every got that far out of hand that were Patsy ‘s stock-in-trade are Crazy; She’s Got You; I Fall To Pieces (a personal favorite): and, Lovesick Blues. But listen to the whole thing when you are in the mood.
"Crazy"
Written by willie nelson
(as performed by willie nelson)
Also performed by patsy cline and ray price*
Crazy
Crazy for feeling so lonely
Im crazy
Crazy for feeling so blue
I knew
Youd love me as long as you wanted
And then someday
Youd leave me for somebody new
Worry
Why do I let myself worry
Wondrin
What in the world did I do
Crazy
For thinking that my love could hold you
Im crazy for tryin
Crazy for cryin
And Im crazy
For lovin you
(repeat last verse)
Patsy Cline, She's Got You Lyrics
Artist: Cline Patsy
Song: She's Got You
“She's Got You”
I've got your picture that you gave to me
And it's signed "with love," just like it used to be
The only thing different, the only thing new
I've got your picture, she's got you
I've got the records that we used to share
And they still sound the same as when you were here
The only thing different, the only thing new,
I've got the records, she's got you
I've got your memory, or has it got me?
I really don't know, but I know it won't let me be
I've got your class ring; that proved you cared
And it still looks the same as when you gave it dear
The only thing different, the only thing new
I've got these little things, she's got you
Patsy Cline, Why Can't He Be You Lyrics
Artist: Cline Patsy
Song: Why Can't He Be You
“Why Can't He Be You”
He takes me to the places you and I used to go
He tells me over and over that he loves me so
He gives me love that I never got from you
He loves me too, his love is true
Why can't he be you
He never fails to call and tell me I'm on his mind
And I'm lucky to have such a guy; I hear it all the time
And he does all the things that you would never do
He loves me, too, his love is true
Why can't he be you
He's not the one who dominates my mind and soul
And I should love him so, 'cause he loves me, I know
But his kisses leave me cold
He sends me flowers, calls on the hour, just to prove his love
And my friends say when he's around, I'm all he speaks of
And he does all the things that you would never do
He loves me too, his love is true
Why can't he be you
Patsy Cline, Sweet Dreams Lyrics
Artist: Cline Patsy
Song: Sweet Dreams
“Sweet Dreams”
Sweet dreams of you
Every night I go through
Why can't I forget you and start my life anew
Instead of having sweet dreams about you
You don't love me, it's plain
I should know I'll never wear your ring
I should hate you the whole night through
Instead of having sweet dreams about you
Sweet dreams of you
Things I know can't come true
Why can't I forget the past, start loving someone new
Instead of having sweet dreams about you
CD Review
Pasty Cline: Live At The Opry, Patsy Cline, MCA , 1988
For those of us of a certain age (growing up in the early 1960’s) the timeless voice of Patsy Cline, whether we were aware of it or not, formed the backdrop to many a school dance or other romantic endeavor. I was not a fan of Cline’s, at least not consciously, growing up but have come to appreciate her talent and her amazing voice since then. In another earlier review in this space I have called her the ‘country torch singer’ par excellence. And she does not fail here, although this work reflects a time when she was deep into a countrified sound reflecting her background and the kind of audience that her songs would appeal to starting out. Later she would smooth out that voice to reach a more popular audience. Patsy, like many another torch singer like Bessie Smith or Billie Holiday, needs to grow on you. The best way to do that is grab this album and sit back. You won’t want to turn the damn thing off (except to wish that you could delete the intros, unavoidable, on a live album based on a radio show.)
Stand out covers here devoted to the themes of love, lost love, found love, misplaced love, and perhaps, hate if things every got that far out of hand that were Patsy ‘s stock-in-trade are Crazy; She’s Got You; I Fall To Pieces (a personal favorite): and, Lovesick Blues. But listen to the whole thing when you are in the mood.
"Crazy"
Written by willie nelson
(as performed by willie nelson)
Also performed by patsy cline and ray price*
Crazy
Crazy for feeling so lonely
Im crazy
Crazy for feeling so blue
I knew
Youd love me as long as you wanted
And then someday
Youd leave me for somebody new
Worry
Why do I let myself worry
Wondrin
What in the world did I do
Crazy
For thinking that my love could hold you
Im crazy for tryin
Crazy for cryin
And Im crazy
For lovin you
(repeat last verse)
Patsy Cline, She's Got You Lyrics
Artist: Cline Patsy
Song: She's Got You
“She's Got You”
I've got your picture that you gave to me
And it's signed "with love," just like it used to be
The only thing different, the only thing new
I've got your picture, she's got you
I've got the records that we used to share
And they still sound the same as when you were here
The only thing different, the only thing new,
I've got the records, she's got you
I've got your memory, or has it got me?
I really don't know, but I know it won't let me be
I've got your class ring; that proved you cared
And it still looks the same as when you gave it dear
The only thing different, the only thing new
I've got these little things, she's got you
Patsy Cline, Why Can't He Be You Lyrics
Artist: Cline Patsy
Song: Why Can't He Be You
“Why Can't He Be You”
He takes me to the places you and I used to go
He tells me over and over that he loves me so
He gives me love that I never got from you
He loves me too, his love is true
Why can't he be you
He never fails to call and tell me I'm on his mind
And I'm lucky to have such a guy; I hear it all the time
And he does all the things that you would never do
He loves me, too, his love is true
Why can't he be you
He's not the one who dominates my mind and soul
And I should love him so, 'cause he loves me, I know
But his kisses leave me cold
He sends me flowers, calls on the hour, just to prove his love
And my friends say when he's around, I'm all he speaks of
And he does all the things that you would never do
He loves me too, his love is true
Why can't he be you
Patsy Cline, Sweet Dreams Lyrics
Artist: Cline Patsy
Song: Sweet Dreams
“Sweet Dreams”
Sweet dreams of you
Every night I go through
Why can't I forget you and start my life anew
Instead of having sweet dreams about you
You don't love me, it's plain
I should know I'll never wear your ring
I should hate you the whole night through
Instead of having sweet dreams about you
Sweet dreams of you
Things I know can't come true
Why can't I forget the past, start loving someone new
Instead of having sweet dreams about you
Tuesday, October 4, 2011
I Fall To Pieces Each Time I Hear Her Sing- Pasty Cline Sings The 1950s Standards -A CD Review
Click on the headline to link to a YouTube film clip of Patsy Cline performing I Love You Some Much It Hurts Me.
CD Review
Pasty Cline: True Love- A Standards Collection, Patsy Cline, MCA Nashville Records, 2000
For those of us of a certain age (growing up in the early 1960’s) the timeless voice of Patsy Cline, whether we were aware of it or not, formed the backdrop to many a school dance or other romantic endeavor. I was not a fan of Cline’s, at least not consciously, growing up but have come to appreciate her talent and her amazing voice since then. In another earlier review in this space I have called her the ‘country torch singer’ par excellence. And she does not fail here. I believe that this compilation does justice to her work, work cut short before her full maturity by a fatal accident, but that reflects her move away from a countrified sound to a pop star. Patsy, like many another torch singer, Bessie Smith or Billie Holiday come to mind, needs to grow on you. The best way to do that is grab this album and sit back. You won’t want to turn the damn thing off.
Stand out covers here devoted to the themes of love, lost love, found love, misplaced love, and perhaps, hate if things every got that far out of hand are Always; You Belong To Me; I Love You So Much It Hurts (a personal favorite): and, the title song, True Love. But listen to the whole thing when you are in the mood.
"Crazy"
Written by willie nelson
(as performed by willie nelson)
Also performed by patsy cline and ray price*
Crazy
Crazy for feeling so lonely
Im crazy
Crazy for feeling so blue
I knew
Youd love me as long as you wanted
And then someday
Youd leave me for somebody new
Worry
Why do I let myself worry
Wondrin
What in the world did I do
Crazy
For thinking that my love could hold you
Im crazy for tryin
Crazy for cryin
And Im crazy
For lovin you
(repeat last verse)
Patsy Cline, She's Got You Lyrics
Artist: Cline Patsy
Song: She's Got You
“She's Got You”
I've got your picture that you gave to me
And it's signed "with love," just like it used to be
The only thing different, the only thing new
I've got your picture, she's got you
I've got the records that we used to share
And they still sound the same as when you were here
The only thing different, the only thing new,
I've got the records, she's got you
I've got your memory, or has it got me?
I really don't know, but I know it won't let me be
I've got your class ring; that proved you cared
And it still looks the same as when you gave it dear
The only thing different, the only thing new
I've got these little things, she's got you
Patsy Cline, Why Can't He Be You Lyrics
Artist: Cline Patsy
Song: Why Can't He Be You
“Why Can't He Be You”
He takes me to the places you and I used to go
He tells me over and over that he loves me so
He gives me love that I never got from you
He loves me too, his love is true
Why can't he be you
He never fails to call and tell me I'm on his mind
And I'm lucky to have such a guy; I hear it all the time
And he does all the things that you would never do
He loves me, too, his love is true
Why can't he be you
He's not the one who dominates my mind and soul
And I should love him so, 'cause he loves me, I know
But his kisses leave me cold
He sends me flowers, calls on the hour, just to prove his love
And my friends say when he's around, I'm all he speaks of
And he does all the things that you would never do
He loves me too, his love is true
Why can't he be you
Patsy Cline, Sweet Dreams Lyrics
Artist: Cline Patsy
Song: Sweet Dreams
“Sweet Dreams”
Sweet dreams of you
Every night I go through
Why can't I forget you and start my life anew
Instead of having sweet dreams about you
You don't love me, it's plain
I should know I'll never wear your ring
I should hate you the whole night through
Instead of having sweet dreams about you
Sweet dreams of you
Things I know can't come true
Why can't I forget the past, start loving someone new
Instead of having sweet dreams about you
CD Review
Pasty Cline: True Love- A Standards Collection, Patsy Cline, MCA Nashville Records, 2000
For those of us of a certain age (growing up in the early 1960’s) the timeless voice of Patsy Cline, whether we were aware of it or not, formed the backdrop to many a school dance or other romantic endeavor. I was not a fan of Cline’s, at least not consciously, growing up but have come to appreciate her talent and her amazing voice since then. In another earlier review in this space I have called her the ‘country torch singer’ par excellence. And she does not fail here. I believe that this compilation does justice to her work, work cut short before her full maturity by a fatal accident, but that reflects her move away from a countrified sound to a pop star. Patsy, like many another torch singer, Bessie Smith or Billie Holiday come to mind, needs to grow on you. The best way to do that is grab this album and sit back. You won’t want to turn the damn thing off.
Stand out covers here devoted to the themes of love, lost love, found love, misplaced love, and perhaps, hate if things every got that far out of hand are Always; You Belong To Me; I Love You So Much It Hurts (a personal favorite): and, the title song, True Love. But listen to the whole thing when you are in the mood.
"Crazy"
Written by willie nelson
(as performed by willie nelson)
Also performed by patsy cline and ray price*
Crazy
Crazy for feeling so lonely
Im crazy
Crazy for feeling so blue
I knew
Youd love me as long as you wanted
And then someday
Youd leave me for somebody new
Worry
Why do I let myself worry
Wondrin
What in the world did I do
Crazy
For thinking that my love could hold you
Im crazy for tryin
Crazy for cryin
And Im crazy
For lovin you
(repeat last verse)
Patsy Cline, She's Got You Lyrics
Artist: Cline Patsy
Song: She's Got You
“She's Got You”
I've got your picture that you gave to me
And it's signed "with love," just like it used to be
The only thing different, the only thing new
I've got your picture, she's got you
I've got the records that we used to share
And they still sound the same as when you were here
The only thing different, the only thing new,
I've got the records, she's got you
I've got your memory, or has it got me?
I really don't know, but I know it won't let me be
I've got your class ring; that proved you cared
And it still looks the same as when you gave it dear
The only thing different, the only thing new
I've got these little things, she's got you
Patsy Cline, Why Can't He Be You Lyrics
Artist: Cline Patsy
Song: Why Can't He Be You
“Why Can't He Be You”
He takes me to the places you and I used to go
He tells me over and over that he loves me so
He gives me love that I never got from you
He loves me too, his love is true
Why can't he be you
He never fails to call and tell me I'm on his mind
And I'm lucky to have such a guy; I hear it all the time
And he does all the things that you would never do
He loves me, too, his love is true
Why can't he be you
He's not the one who dominates my mind and soul
And I should love him so, 'cause he loves me, I know
But his kisses leave me cold
He sends me flowers, calls on the hour, just to prove his love
And my friends say when he's around, I'm all he speaks of
And he does all the things that you would never do
He loves me too, his love is true
Why can't he be you
Patsy Cline, Sweet Dreams Lyrics
Artist: Cline Patsy
Song: Sweet Dreams
“Sweet Dreams”
Sweet dreams of you
Every night I go through
Why can't I forget you and start my life anew
Instead of having sweet dreams about you
You don't love me, it's plain
I should know I'll never wear your ring
I should hate you the whole night through
Instead of having sweet dreams about you
Sweet dreams of you
Things I know can't come true
Why can't I forget the past, start loving someone new
Instead of having sweet dreams about you
Saturday, September 24, 2011
I Fall To Pieces Each Time I Hear Her Sing- Pasty Cline-Live At The Cimarron Ballroom (Okalahoma)-A CD Review
Click on the headline to link to a YouTube film clip of Patsy Cline performing her classic I Fall To Pieces.
CD Review
Pasty Cline-Live At The Cimarron Ballroom (1961), Patsy Cline, MCA Records, 1997
For those of us of a certain age (growing up in the early 1960’s) the timeless voice of Patsy Cline, whether we were aware of it or not, formed the backdrop to many a school dance or other romantic endeavor. I was not a fan of Cline’s, at least not consciously, growing up but have come to appreciate her talent and her amazing voice. In another review in this space I have called her the “country torch singer,” par excellence. And she does not fail here. At least musically. On such classics as I Fall To Pieces (twice, the second being better than the first, ah, “warm up”), Walking After Midnight, Stupid Cupid, Foolin’ Round, and some twangy Cline dialogue between songs she is up to par.
However, thematically this CD, while of some value as a historic document (her first concert after a near fatal car accident), is another question. While it was interesting (and a little disconcerting live, circa 1961) to hear her work from the 1950's and early 1960s and covers of others I do not believe that this compilation does justice to her work. Patsy, like many another torch singer like Bessie Smith or Billie Holiday, needs to grow on you. The best way to do that is grab a Greatest Hits (or a Gold Definitive) album and sit back. You won’t want to turn the damn thing off. As for this one, if you have time to listen do so as an appetizer.
"Crazy"
Written by willie nelson
(as performed by willie nelson)
Also performed by patsy cline and ray price*
Crazy
Crazy for feeling so lonely
Im crazy
Crazy for feeling so blue
I knew
Youd love me as long as you wanted
And then someday
Youd leave me for somebody new
Worry
Why do I let myself worry
Wondrin
What in the world did I do
Crazy
For thinking that my love could hold you
Im crazy for tryin
Crazy for cryin
And Im crazy
For lovin you
(repeat last verse)
Patsy Cline, She's Got You Lyrics
Artist: Cline Patsy
Song: She's Got You
“She's Got You”
I've got your picture that you gave to me
And it's signed "with love," just like it used to be
The only thing different, the only thing new
I've got your picture, she's got you
I've got the records that we used to share
And they still sound the same as when you were here
The only thing different, the only thing new,
I've got the records, she's got you
I've got your memory, or has it got me?
I really don't know, but I know it won't let me be
I've got your class ring; that proved you cared
And it still looks the same as when you gave it dear
The only thing different, the only thing new
I've got these little things, she's got you
Patsy Cline, Why Can't He Be You Lyrics
Artist: Cline Patsy
Song: Why Can't He Be You
“Why Can't He Be You”
He takes me to the places you and I used to go
He tells me over and over that he loves me so
He gives me love that I never got from you
He loves me too, his love is true
Why can't he be you
He never fails to call and tell me I'm on his mind
And I'm lucky to have such a guy; I hear it all the time
And he does all the things that you would never do
He loves me, too, his love is true
Why can't he be you
He's not the one who dominates my mind and soul
And I should love him so, 'cause he loves me, I know
But his kisses leave me cold
He sends me flowers, calls on the hour, just to prove his love
And my friends say when he's around, I'm all he speaks of
And he does all the things that you would never do
He loves me too, his love is true
Why can't he be you
Patsy Cline, Sweet Dreams Lyrics
Artist: Cline Patsy
Song: Sweet Dreams
“Sweet Dreams”
Sweet dreams of you
Every night I go through
Why can't I forget you and start my life anew
Instead of having sweet dreams about you
You don't love me, it's plain
I should know I'll never wear your ring
I should hate you the whole night through
Instead of having sweet dreams about you
Sweet dreams of you
Things I know can't come true
Why can't I forget the past, start loving someone new
Instead of having sweet dreams about you
CD Review
Pasty Cline-Live At The Cimarron Ballroom (1961), Patsy Cline, MCA Records, 1997
For those of us of a certain age (growing up in the early 1960’s) the timeless voice of Patsy Cline, whether we were aware of it or not, formed the backdrop to many a school dance or other romantic endeavor. I was not a fan of Cline’s, at least not consciously, growing up but have come to appreciate her talent and her amazing voice. In another review in this space I have called her the “country torch singer,” par excellence. And she does not fail here. At least musically. On such classics as I Fall To Pieces (twice, the second being better than the first, ah, “warm up”), Walking After Midnight, Stupid Cupid, Foolin’ Round, and some twangy Cline dialogue between songs she is up to par.
However, thematically this CD, while of some value as a historic document (her first concert after a near fatal car accident), is another question. While it was interesting (and a little disconcerting live, circa 1961) to hear her work from the 1950's and early 1960s and covers of others I do not believe that this compilation does justice to her work. Patsy, like many another torch singer like Bessie Smith or Billie Holiday, needs to grow on you. The best way to do that is grab a Greatest Hits (or a Gold Definitive) album and sit back. You won’t want to turn the damn thing off. As for this one, if you have time to listen do so as an appetizer.
"Crazy"
Written by willie nelson
(as performed by willie nelson)
Also performed by patsy cline and ray price*
Crazy
Crazy for feeling so lonely
Im crazy
Crazy for feeling so blue
I knew
Youd love me as long as you wanted
And then someday
Youd leave me for somebody new
Worry
Why do I let myself worry
Wondrin
What in the world did I do
Crazy
For thinking that my love could hold you
Im crazy for tryin
Crazy for cryin
And Im crazy
For lovin you
(repeat last verse)
Patsy Cline, She's Got You Lyrics
Artist: Cline Patsy
Song: She's Got You
“She's Got You”
I've got your picture that you gave to me
And it's signed "with love," just like it used to be
The only thing different, the only thing new
I've got your picture, she's got you
I've got the records that we used to share
And they still sound the same as when you were here
The only thing different, the only thing new,
I've got the records, she's got you
I've got your memory, or has it got me?
I really don't know, but I know it won't let me be
I've got your class ring; that proved you cared
And it still looks the same as when you gave it dear
The only thing different, the only thing new
I've got these little things, she's got you
Patsy Cline, Why Can't He Be You Lyrics
Artist: Cline Patsy
Song: Why Can't He Be You
“Why Can't He Be You”
He takes me to the places you and I used to go
He tells me over and over that he loves me so
He gives me love that I never got from you
He loves me too, his love is true
Why can't he be you
He never fails to call and tell me I'm on his mind
And I'm lucky to have such a guy; I hear it all the time
And he does all the things that you would never do
He loves me, too, his love is true
Why can't he be you
He's not the one who dominates my mind and soul
And I should love him so, 'cause he loves me, I know
But his kisses leave me cold
He sends me flowers, calls on the hour, just to prove his love
And my friends say when he's around, I'm all he speaks of
And he does all the things that you would never do
He loves me too, his love is true
Why can't he be you
Patsy Cline, Sweet Dreams Lyrics
Artist: Cline Patsy
Song: Sweet Dreams
“Sweet Dreams”
Sweet dreams of you
Every night I go through
Why can't I forget you and start my life anew
Instead of having sweet dreams about you
You don't love me, it's plain
I should know I'll never wear your ring
I should hate you the whole night through
Instead of having sweet dreams about you
Sweet dreams of you
Things I know can't come true
Why can't I forget the past, start loving someone new
Instead of having sweet dreams about you
Saturday, August 6, 2011
He’s Got You- With Kudos to Miss (Ms.)Patsy Cline
Click on the headline to link to a YouTube film clip of Patsy Cline performing ht every appropriate (for this entry, juts reverse it) She's Got You.
CD Review
Patsy Cline: The Definitive Collection, Patsy Cline, MCA, 1991
Rick Roberts wanted to cry, wanted to just go into a corner and cry. Of course, as a man of the 1950s, of the hard-hearted Cold War shoulder-to-the-wheel, no prisoners taken love wars of the 1950s that was impossible. Impossible as well because although he felt himself a man in many ways, large, strong, virile and smart enough to make it to sixteen without too many mishaps he was still a boy, a Clintondale High junior boy. And that was the crux of the matter. No self-respecting boy (and, maybe, no self-not respecting boy if it came to it) would dream of going to a corner, or anywhere else, and cry, or let it be known that he was about to cry, or that he had cried at all past the age of six, maybe earlier . But Rick still wanted to cry. And it took no deep thought, no deep insight, no nothing to know the reason- a woman, well really a girl. June Davis, his "June Bug" (his pet name for her, although he would be the first to tell you do not, under any circumstances, call her that, or else-the “or else” part related to his being large, strong, virile and sixteen).
And, of course, if it’s a woman driving you to tears then it is almost a certainty that there is some guy behind the scenes stealing your time. And the name of the thief in this case is one Freddie Jackson, June’s elementary school flame, or something like that, but back a while ago. For christ sakes. And the way that Freddie did it was not so sneaky, well not sneaky, backdoor sneaky, but right in front of Rick at the last school dance. Freddie, for old time’s sake he said, asked Rick if it was okay for him to dance with June Bug when they played Patsy Cline’s I Fall To Pieces. Rick didn’t think anything of it, he wasn’t much of a slow dancer and June liked the song and wanted dance.
What Rick didn’t know was the song was something like “their” song, their song for christ sake, along with Patsy’s Always and So Wrong. Rick thought Patsy was okay but not enough to make her songs “their” songs. Jerry Lee’s Breathless, for very private reasons, don’t ask or else, was their song (and for fun, as joke between them, since they met at the Wash-All Laundromat, Leader of the Laundromat). And now he is poring though every Patsy record he can find like Crazy, She’s Got You, Why Can’t He Be You, Back In Baby’s Arms, and Sweet Dreams Of You to figure out where he went wrong, and how to get his June Bug back. Back from that Freddie Jackson, for christ sakes.
CD Review
Patsy Cline: The Definitive Collection, Patsy Cline, MCA, 1991
Rick Roberts wanted to cry, wanted to just go into a corner and cry. Of course, as a man of the 1950s, of the hard-hearted Cold War shoulder-to-the-wheel, no prisoners taken love wars of the 1950s that was impossible. Impossible as well because although he felt himself a man in many ways, large, strong, virile and smart enough to make it to sixteen without too many mishaps he was still a boy, a Clintondale High junior boy. And that was the crux of the matter. No self-respecting boy (and, maybe, no self-not respecting boy if it came to it) would dream of going to a corner, or anywhere else, and cry, or let it be known that he was about to cry, or that he had cried at all past the age of six, maybe earlier . But Rick still wanted to cry. And it took no deep thought, no deep insight, no nothing to know the reason- a woman, well really a girl. June Davis, his "June Bug" (his pet name for her, although he would be the first to tell you do not, under any circumstances, call her that, or else-the “or else” part related to his being large, strong, virile and sixteen).
And, of course, if it’s a woman driving you to tears then it is almost a certainty that there is some guy behind the scenes stealing your time. And the name of the thief in this case is one Freddie Jackson, June’s elementary school flame, or something like that, but back a while ago. For christ sakes. And the way that Freddie did it was not so sneaky, well not sneaky, backdoor sneaky, but right in front of Rick at the last school dance. Freddie, for old time’s sake he said, asked Rick if it was okay for him to dance with June Bug when they played Patsy Cline’s I Fall To Pieces. Rick didn’t think anything of it, he wasn’t much of a slow dancer and June liked the song and wanted dance.
What Rick didn’t know was the song was something like “their” song, their song for christ sake, along with Patsy’s Always and So Wrong. Rick thought Patsy was okay but not enough to make her songs “their” songs. Jerry Lee’s Breathless, for very private reasons, don’t ask or else, was their song (and for fun, as joke between them, since they met at the Wash-All Laundromat, Leader of the Laundromat). And now he is poring though every Patsy record he can find like Crazy, She’s Got You, Why Can’t He Be You, Back In Baby’s Arms, and Sweet Dreams Of You to figure out where he went wrong, and how to get his June Bug back. Back from that Freddie Jackson, for christ sakes.
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