Once Upon A Time In China- Somerset Maugham’s “Painted Veil"- A Film Review

Click on the headline to link to a Wikipedia entry for the film, The Painted Veil.

DVD Review

The Painted Veil, starring Naomi Watts, Edward Norton, based on a novel by W. Somerset Maugham, Warner, 2006

Several years ago I reviewed a film, Reds, about the torrid love affair between pre-World War I radical journalists John Reed and Louise Bryant where the Russian revolution of 1917 was used a backdrop for much of the story line. I commented then that that approach had the focus in reverse of what was compelling about the film, the love affair small against the backdrop of the great historic event that swept the pair up in its wake. I then stepped back and went on to tip my hat to the right of an artist to use whatever creative license was at hand in order to tell his or her story. Those same sentiments apply here where the film under review, a film based on British author W. Somerset Maugham’s novel of the same name, The Painted Veil, tells the story of another tortured love affair set against the backdrop of the Chinese revolution of 1925-27. Except here the revolution is even more of a background echo.

Of course the period in question, in the aftermath of the decimation of the flower of British youth of all classes in the devastation of World War I, is the period of the slow decline of the British Empire. That empire however still included a not unimportant outpost in tumultuous China. And the bulk of this story takes place there. And a rather old-fashioned Victorian story it is. A younger daughter of the upper-middle class under pressure to get married (and married properly, but mainly married), played by Naomi Watts, and a British civil servant doctor stationed in that British outpost in Shanghai and in need of a wife, played by Edward Norton, meet in London, get married despite barely knowing each other and leave for China. However , as is plain, this is not a marriage made in heaven, no way. Like many such arrangements it is merely a matter of convenience.

And that mismatch, that inevitable tension, is just the kind of plot line that Maugham was good at in previous efforts of his that I have viewed (and also read) The Razor’s Edge and the more famous Of Human Bondage. The pair are trapped in a no man’s land so, of course, someone has to stray off the reservation. In this case Ms. Watts has an affair with another British civil servant in order to get out from under. Said British civil servant already is married, very married, and in no mood to get divorced. Such stories clutter all of literature although not all are filled with perfidious civil servants with meal ticket wives as an excuse.

Naturally Mr. Norton stumbles onto the affair, ruefully offers a divorce under conditions that cannot be met, and so the unhappy couple are held together by some unholy glue as they are off to the outback in order to stem a cholera epidemic. And here is where Maugham’s plot line shines. Through a very tortured set of ups and downs they actually come to under stand and love each other, although in the end it is only for one bright moment. Thus Maugham is forgiven, just this minute, for back-dropping the Chinese revolution. This is strictly an old-fashioned love story that may not appeal to the more modern sensibility, but it should.

Poet's Corner- T.S. Eliot's "The Hollow Men"- A Poem For Our Hard Times-The World Ends With A Bang, The Bang Of Revolution, Not A Whimper Though

Click on the headline to link to a Wikipedia entry for poet T.S. Eliot's The Hollow Men.

Markin comment:

Praise be that Marxists take no particular notice of preferences in literature(or poetry, music, art, and other cultural tastes) except as literary figures are active counter-revolutionaries, etc., of course otherwise I would be in deep trouble here. T.S. Eliot "spoke" to me with The Hollow Men in high school and still does in these troubled times.
*******
The Hollow Men
T. S. Eliot
Mistah Kurtz—he dead.

A penny for the Old Guy

I

We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats’ feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death’s other Kingdom
Remember us—if at all—not as lost
Violent souls, but only
As the hollow men
The stuffed men.

II

Eyes I dare not meet in dreams
In death’s dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind’s singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death’s dream kingdom
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer—

Not that final meeting
In the twilight kingdom

III

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.

Is it like this
In death’s other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

IV

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom
The hope only
Of empty men.

V

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.

Online text © 1998-2011 Poetry X. All rights reserved.
From The Hollow Men | 1925

In Honor Of Miss (Ms.) Lenora Sonos, Clintondale High School English Department, Circa 1961

Click on the headline to link to a YouTube film clip of Ellen Terry reciting Portia's mercy speech from The Merchant of Venice. Fitting right?

"The quality of mercy is not strained. It droppeth as the gentle rain from heaven, Upon the place beneath" lines from Portia's speech to the court in William Shakespeare's Merchant of Venice

As Jimmy came across these above lines in the epilogue of a book that he was innocently, very innocently, reading about the sources of old time English playwright William Shakespeare’s sources for his various works he suddenly developed a 50th anniversary case of the nerves. And the source of those nerves was easily traceable, very easily traceable, to time spent in Miss Lenora Sonos’ classroom memorizing those very lines of the Bard.

Miss Lenora Sonos, Jimmy’s senior year English teacher made many people nervous. Who was he kidding, she made James Cullen, Jimmy, Class of 1961, and king hell king of the intramural bowling league (boys’ division) at old Clintondale High, nervous. Others can, on their own hook, come forth with their own benighted and heart-rendering testimony but she made him nervous before her class, nervous while in her class, nervous after leaving her class, and nervous in that occasional dark hour just before the dawn when he woke up, woke up with the sweats, became that book report due Monday morning bright and early was not coming together the way he wanted. Come on, again, who was Jimmy kidding, waking up with the sweats kidding, the way that she wanted it. The no rush, no night before it was due , well-thought out and drafted, concise, with some kind of original twist to it paper, and written like some come down from the mountain patriarchal tablet screed, or really an endlessly re-written version of that self-same screed.

And worst, worst than not being concise, worst than not having an original twist idea, was that you had to publicly defend your ideas in front of the whole class. But, once again who was Jimmy kidding, the class was child’s play, putty in his hands once he started throwing his obscure, arcane, in-your-face two thousand facts at them, and they retreated, or better, surrendered, white flags in hand. No, it was her, Miss Sonos, that he had to impress with his obscure, arcane, in-your-face knowledge but here was the rub, she had no surrender, or white flag, in her because she was privy to those two thousand facts, had in fact taught him a bunch of them, and had a few thousand additional ones in her own storehouse just waiting for Jimmy to make that one wrong move, the one wrong move that was inevitably to come from a young, still unformed, mind.

And worst, worst than public Sonos humiliation, worst than being at a lost for that original idea was to not be with her, to be with her one hundred percent, when she spoke, almost in a hushed whisper, of some piece of literature the virtues of which she endlessly drilled into the class, but really had her eyes set on him when doing so, or so he thought. (He found out later that that feeling was shared by every at least half-awake student in the class, the others were just ducking behind some book hoping not to be noticed.) As he thought of those books just now, he remembered the time, trying to be one hundred with her, when he blurred out that Holden Caulfield from The Catcher In The Rye “spoke” to him, spoke to him about his own teen alienation, spoke about what can a kid do when the cards are stacked against him in this cruel old world, a world he didn’t put together, spoke of teen angst in trying to find his place in the sun when everybody was pushing him in about six different ways and he was pushing himself in about seven.

And there Jimmy was, proud as a peacock, feeling like a junior-sized literary critic and then she, Miss Sonos in high dudgeon, lowered the hammer and dismissed the book, and the author, as so much hot air and New Yorker-style cheapjack kids’ short story, barely pabulum. And that was the end of it, for once Miss Sonos pronounced someone a mere short story writer, oblivion beckoned. She much preferred that her Jimmys tackle James T. Farrell, John Dos Passos, Ernest Hemingway, F. Scott Fitzgerald, Henry James, Flannery O’Connor, and Edith Wharton who although they too wrote short stories wrote novels, great novels, and therefore were not assigned to hellish depths. And you know in a funny way Jimmy had to admit that she was right, right in the sense that these other guys had a lot to say and that one should no put all their “literary light” eggs in one basket, although she was still wrong, wrong big time, about J.D. Salinger. Wrong that is if she is not now nearby, nearby this side of the grave.

But the worst time, the worst time of all, for Jimmy who was trying to hold his head up in that dark early 1960s Cold War working poor teen angst night was when she made him write a paper as a proponent of the then front line, flame-burning civil rights movement down South after he had written a short piece, a short diary-like piece, for her eyes only, one time. Not only that but he was going to be forced to argue his case against the editor of the school newspaper, a hot shot who had real literary ambitions and a father who was a professor, or something, over at the university. Now Jimmy, as he noted in his short piece, was in sympathy, secret sympathy, with the struggle of black people down South, and had linked that struggle with his own sense of what white working poor people needed to. Not all that deeply thought out then, but that was the gist of it. But see, the secret part was necessary because the best word, the absolutely best word that he ever heard anybody in Clintondale, young or old, call black people was “nigra,” like the neighborhood, the predominantly Irish and Italian Catholic neighborhood that he lived in, and breathed in, was down South itself.

And the most vitriolic voice around the neighborhood was that of his father, and his kindred, who resided nightly at the Old Gaelic Pub, egging on vicariously, while watching the barroom television news, the Bull Connors of the world. Jimmy tried, tried hard, to explain this all to Miss Sonos but she, unlike in other things, dismissed his pleas out of hand. Well, he gave that presentation, and if he didn’t win the debate points, the precious debate points, that he thought he was fighting for he made it clear that the he was on the other side of the road between the those who lived, thought and acted “nigra” and those who said 1960s “negro.” So there she was right again, although many bridges were burned that day.

As Jimmy nervously finished up musing over the exploits, the maybe un-heroic exploits, of Miss Lenora Sonos, he though about those lines from Portia’s speech to the court in Shakespeare’s The Merchant Of Venice, lines that she made the class memorize, although that memorizing business was not her style in general. And Jimmy chuckled to himself that did not, after all, have to look those sentences in that speech up, although if he was in court he would have to confess that he did look up to see if there was one or two p's in droppeth. He knew those lines and more from the master by heart. And that fact, that fact of remembrance, served to bring up something, something heroic about Miss Sonos. About what she said, said endlessly. Literature matters. Words matter. Jimmy had, on more occasions than he cared to remember, honored those ideas more in the breech than the observance but he tried to be guided by them. But they, no question, were planted there by Miss Sonos.

Thinking on it now though Jimmy realized that he not close to Ms. Sonos, certainly not her "pet". Perhaps she did not even really know who he was, although that bout over the civil rights paper may have turned the tables a little away from the truth of that notion. He did not know about today but back then the classes were very large and there were many minds to feed. So it was possible. Perhaps she did not even “like” him. That too was possible. Jimmy did not display his better side, the "better angel of his nature", in those days, on most days. However, Jimmy did know two things about her-literature matters, words matter. That more than balanced things out, Jimmy thought. And then he said in whisper, “Miss (Ms.) Lenora Sonos, wherever you are-thanks.”