Click on the headline to link to a Wikipedia entry for Tom Wolfe's Electric Kool-Aid Acid Test.
Markin comment:
Okay, blame this foam-flecked entry totally on old wanna-be “gonzo” journalist/novelist Tom Wolfe and his infernal 1960s classic countercultural expose The Electric Kool-Aid Acid Test. I’ll explain the ‘wanna-be’ part in some book review, or in some of other place where talking about and discussing the "new journalism (1960s-style, including the likes of Hunter Thompson and Joan Didion) is called for. But, at least for now, I want to explain the why of that ‘where the blame should be placed’.
And why does Brother Wolfe (or is it really Brother Wolf?) earn this blame? Well, frankly, merely by telling this acid-etched (literally) story about the late author Ken Kesey (most famous for One Flew Over The Cuckoo’s Nest and Sometimes A Great Notion), his California-gathered (naturally, right?) tribe of Merry Pranksters, their then rural California coastal communal arrangements (or non-arrangements, or dis-arrangements, as the case may be), and their antics, including a collectively produced and massively-filmed cross-country “bus” ride that cemented their zany experiences. No kidding- you were truly either on the “bus” or off the “bus” if you got entangled with this crowd.
Oh, did I mention, as well, their deep-end “edge city” drug experiences, especially the then little known acid (LSD) trips? Those drug experiments, important as they were to the story line of the book, are, however, not what have me up in arms though. Hey, experimenting with drugs, or experimenting with sometime (sex, the karma sutra, Zen, zen, sex, abstract primitivist painting, free-form verse, sex, hitchhiking the universe, sex, etc.) was de rigueur in those halcyon days. I wouldn’t waste my breathe, and your time, recounting those kinds of stories. Everybody did drugs back then, or was….unhip. And almost no one, hip, unhip, cloven-footed devil, or haloed angel wanted to be thought of as unhip.
The others, those who today claim memory loses on the subject, or some story along those lines, just lie. Or were cloistered somewhere, and such circumstances are better left untold. Or, and here is my favorite, didn’t inhale. The number of guys (and gals) who NOW say that they didn’t inhale exceeds the total youth tribe members of the 1960s. Unless, of course, my numbers are off, slightly. I, in any case, need not go through that scene again. Read Wolfe’s book or watch Dennis Hopper’s Easy Rider, or ask your parents or…ouch, grandparents.
Today, however, I am excised on another point. Wolfe mentioned, repeatedly, the quasi-religious, mystical nature of the Kesey-gathered Merry Prankster tribal experience. And central to that, as to all such mystical communal experiences, is the emergence of some kind of “messiah” figure, or at least a chief mystic who guides the group’s actions, including the inevitable breakout into the real wide world when that time comes. Then, the breakout time, is when the power struggle really begins as the increased number of acolytes gather round and begin the long process of the selection of the “ins” and “outs”. To speak nothing of the very serious question of who is to “guard” the wisdom tablet (maybe, literally, a tablet in this case). Or who conducts the ceremonials to adhere the devotees. This is well-trodden ground, in any case.
And what in hell am I mad about that little quirky business for? Kesey was hardly the first guy or gal, and will hardly be the last either, to come down off the mountain to spread the “good news”, if only among the elect-at first. Hear me out though. I am sick and tired, utterly sick and tired, after a life time of listening, or really, half-listening to the latest screeds of the “god-seekers”, secular or religious. And of the side show carnival guys claiming for the umpteenth time they have the “new message” about human redemption. And of the about the 287th, or so, rendition of the story line of those who succumbed to some “conversion” religious experience. Enough, right? Well, perhaps, but what I want to blurt out is that, damn, I think Wolfe, and through him, Kesey were basically right that this was a time, the 1960s that is , when we, and I include myself in this as well, were looking for the “new messiah.”
For starters though, just in case the reader is caught short on the term “new messiah”, forget all the rough and tumble organized traditional religious stuff. That was a non-contender, then anyway. Hell, that was what we were running away from, and running as hard as our wobbly, drug-filled heads would force our legs to take us. (The three of us who have "confessed" to such activity in those days, excuse me. I don’t know in what condition the others were in during their runs.) No, any “church” had to be in some freshly-mown meadow, or among the squirrel-infested pines, or at the edge of the earth on some place where ‘our homeland’ the ocean, the sand and our sense of the vastness of space met. And any “preacher”, of the “good book” or, for that matter, of the virtues of demonology had to wear multi-colored, flowing home-spun robes, or some discarded army& navy store uniform, or some sheepskin vest, or maybe nothing. But, please, no collars around your neck, or ours. There were plenty of candidates looking for the job, looking to be heard, looking to be listened to and looking for those who were looking, for awhile anyway, until they ran out of steam, ran off with their sweeties, or with the cash box.
What we were looking for, at least what I think we were looking for was someone, once the traditional politicians proved to have feet of clay, or were mired in mud and blood up to their necks, or were blown away, to lead us to the “Promised Land.” That’s right the “Promised Land”, not some old quirky, queasy, hard scrabble, no air place that we all knew, or all of us that were “hip” knew, was not where we were at then. You know sometimes it was as simple as finding someone who had an answer or two. If they had a plan, or had the whole thing mapped out, so much the better. Mainly they just didn’t have to shout about it to the whole square world and bring the squares in to corner it, corral it, organize it, and make it a thing that not even your square, square parents could love.
And that, my friends, is where someone like Ken Kesey got some play, got his edge. His simple Western- bred (American Western-bred) ways, his obvious literary talents that acted as a magnet for those who saw no real difference between mad scientist Kesey and ‘mad scientist’ McMurphy (in One Flew Over The Cuckoo’s Nest), and his strong branding personality held the Prankster commune together. For a while. Until he too proved to have feet of clay, and fled. But here is the main point in the end it required just too much of a leap of faith to sail into the mystic with the mystics. For those like me, and there were many others like me, we had our mystical moment but when the deal went down we had to look elsewhere to other names to “seek the newer world.” World historic names no one, except, maybe, those now professed non-inhalers and vanguard neo-con cultural dead-enders, would confuse with mysticism.
Showing posts with label Hunter Thompson. Show all posts
Showing posts with label Hunter Thompson. Show all posts
Saturday, August 27, 2011
Sunday, July 10, 2011
Shades Of "Doctor Gonzo" Hunter Thompson- The Passing Of Mad-Hatter Journalist George Kimball
Click on the headline to link to a Boston Sunday Globe article, dated July 10, 2011 concerning the passing of legendary sports/life journalist George Kimball.
Markin comment:
There was a time that I would read everything that journalist George Kimball wrote just like I did with the late "Doctor Gonzo," Hunter S. Thompson. Not because I agreed with their political perspectives, or their cultural critiques but because, as Kevin Cullen, points out they represented that little space in the bourgeois press reserved for those who could thumb their noses at the bosses, and walk away still standing. And of course, as well, for their love of language, language that curled around an idea. Yes, those mad-hatter days are gone in the 24/7/365 minute news world. A world I miss, and am not afraid to say so.
Markin comment:
There was a time that I would read everything that journalist George Kimball wrote just like I did with the late "Doctor Gonzo," Hunter S. Thompson. Not because I agreed with their political perspectives, or their cultural critiques but because, as Kevin Cullen, points out they represented that little space in the bourgeois press reserved for those who could thumb their noses at the bosses, and walk away still standing. And of course, as well, for their love of language, language that curled around an idea. Yes, those mad-hatter days are gone in the 24/7/365 minute news world. A world I miss, and am not afraid to say so.
Wednesday, June 22, 2011
*When “Doctor Gonzo” Was 'King Of The Hill'-The Master Journalism Of Hunter S. Thompson-"Songs Of The Doomed"
*When “Doctor Gonzo” Was 'King Of The Hill'-The Master Journalism Of Hunter S. Thompson-"Songs Of The Doomed"
Book Review
Songs Of The Doomed; Gonzo Papers Volume Three, Hunter S. Thompson, 1978
In a review of Hunter Thompson's early journalistic work compiled under the title , The Great Shark Hunt, a retrospective sampling of his works through the early 1970s, many which appeared in the pages of Rolling Stone magazine during its more radical, hipper phase, I noted the following points that are useful to repost here in reviewing Songs Of The Doomed, another later , similar compilation of his journalistic pieces:
“Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists, like Karl Marx. Vladimir Lenin, and Leon Trotsky and other less radical progressive thinkers. Bourgeois society rarely allows itself, in self-defense if nothing else, to be skewered by trenchant criticism from within. This is particularly true when it comes from a man of big, high life appetites, a known dope fiend, a furious wild man gun freak, and all-around edge city lifestyle addict like the late, massively lamented, massively lamented in this quarter in any case, Dr. Hunter S. Thompson. Nevertheless, although he was far, very far, from any thought of a socialist solution to society's current problems and would reject such a designation, I think out of hand, we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us-but he was one of us. All honor to him for pushing the envelope of mad truth-seeking journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.
I am not sure whether at the end of the day Hunter Thompson saw himself, or wanted to been seen, as a voice, or the voice, of his generation but he would not be an unworthy candidate. In any case, his was not the voice of the generation of 1968, my generation, being just enough older to have been formed by an earlier, less forgiving milieu, coming of adult age in the drab Cold War, red scare, conformist 1950s that not even the wildly popular Mad Men can resurrect as a time which honored fruitful and edgy work, except on the coastal margins of society. His earlier writings show that effect. Nevertheless, only a few, and with time it seems fewer in each generation, allow themselves to search for some kind of truth even if they cannot go the whole distance. This compilation under review is a hodgepodge of articles over the best part of Thompson’s career, the part culminating with the demise of the arch-fiend, arch-political fiend, Richard Nixon. As with all journalists, as indeed with all writers especially those who are writing under the pressure of time-lines and for mass circulation media, these pieces show an uneven quality. Hunter's manic work habits, driven by high dope infusions and high-wire physical stress, only added to the frenzied corners of his work which inevitably was produced under some duress, a duress that drove his hard-boiled inner demons onward. However the total effect is to blast old bourgeois society almost to its foundations. Others, hopefully, will push on further.
One should note that "gonzo" journalism is quite compatible with socialist materialism. That is, the writer is not precluded from interpreting the events described within a story by interposing himself/herself as an actor in that story. The worst swindle in journalism, fostered by the formal journalism schools, as well as in the formal schools of other disciplines like history and political science, is that somehow one must be ‘objective’. Reality is better served if the writer puts his/her analysis correctly and then gets out of the way. In his best work that was Hunter’s way.
As a member of the generation of 1968 I would note that the period covered by this compilation was a period of particular importance in American history, the covering of which won Hunter his spurs as a journalist. Hunter, like many of us, cut his political teeth on wrestling with the phenomena of one Richard Milhous Nixon, at one time President of the United States, all-around political chameleon and off-hand common criminal. His articles beginning in 1968 when Nixon was on the rising curve of his never ending “comeback” trail to his fated (yes, fated) demise in the aftermath of the Watergate are required reading (and funny to boot). Thompson went out of his way, way out of his way, and with pleasure, skewering that man when he was riding high. He was moreover just as happy to kick Nixon when he was down, just for good measure. Nixon, as Robert Kennedy in one of his more lucid comments noted, represented the "dark side" of the American spirit- the side that appears today as the bully boy of the world and as craven brute. If for nothing else Brother Thompson deserves a place in the pantheon of journalistic heroes for this exercise in elementary political hygiene. Anyone who wants to rehabilitate THAT man before history please consult Thompson’s work.
Beyond the Nixon-related articles that form the core of the book there are some early pieces that are definitely not Gonzo-like. They are more straightforward journalism to earn a buck, although they show the trademark insightfulness that served Thompson well over the early part of his career. Read his pieces on Ernest Hemingway-searching in Idaho, the non-student left in the 1960’s, especially the earnest early 1960s before the other shoe dropped and we were all confronted with the madness of the beast, unchained , the impact of the ‘beats’ on the later counter cultural movements and about the ‘hippie’ invasion of San Francisco. The seminal piece on the Kentucky Derby in 1970 which is his ‘failed’ (according to him, not others) initial stab at “gonzo” journalism is a must read. And finally, if nothing else read the zany adventures of the articles that give us the title of the book, “The Great Shark Hunt”, and his ‘tribute’ to his friend the “Brown Buffalo” of future legend, Oscar Acosta. Those are high water marks in the great swirl of Hunter S. Thompson’s career. Hunter, I hope you find the Brown Buffalo wherever you are. Read this book. Read all his books.”
As for the pieces here, mainly the journalistic pieces that form the core of this compilation, the format of the book is divided up into decades starting from the pre-gonzo days of the1950s (although you can detect a certain flare for putting himself inside the story even then, note Prince Jellyfish) to the woe-begone mad efforts (on local law enforcement’s part) to legally destroy Brother Thompson in the early 1990s. In between, Thompson runs through side commentaries on the whys and wherefore of his famous “fear and loathing” works that were the bedrock of his version of gonzo journalism. Additionally, in the 1980s he makes, to my mind, something of a comeback with his reportage on the Pulitzer divorce proceedings in Palm Beach and some of his work (published more extensively elsewhere in another compilation as well) for the San Francisco Examiner. One piece, one short piece that may sum up what Hunter Thompson was trying to do, and what make be his best individual piece of flat-out king hell king good Hemingway/Fitzgerald writing is High Water Mark from Fear and Loathing In Las Vegas. That is “high” Thompson as well as very good exposition of where and when the tide ebbed for those of us seeking a “newer world” in the 1960s. Buy the ticket; take the ride as he would say.
Book Review
Songs Of The Doomed; Gonzo Papers Volume Three, Hunter S. Thompson, 1978
In a review of Hunter Thompson's early journalistic work compiled under the title , The Great Shark Hunt, a retrospective sampling of his works through the early 1970s, many which appeared in the pages of Rolling Stone magazine during its more radical, hipper phase, I noted the following points that are useful to repost here in reviewing Songs Of The Doomed, another later , similar compilation of his journalistic pieces:
“Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists, like Karl Marx. Vladimir Lenin, and Leon Trotsky and other less radical progressive thinkers. Bourgeois society rarely allows itself, in self-defense if nothing else, to be skewered by trenchant criticism from within. This is particularly true when it comes from a man of big, high life appetites, a known dope fiend, a furious wild man gun freak, and all-around edge city lifestyle addict like the late, massively lamented, massively lamented in this quarter in any case, Dr. Hunter S. Thompson. Nevertheless, although he was far, very far, from any thought of a socialist solution to society's current problems and would reject such a designation, I think out of hand, we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us-but he was one of us. All honor to him for pushing the envelope of mad truth-seeking journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.
I am not sure whether at the end of the day Hunter Thompson saw himself, or wanted to been seen, as a voice, or the voice, of his generation but he would not be an unworthy candidate. In any case, his was not the voice of the generation of 1968, my generation, being just enough older to have been formed by an earlier, less forgiving milieu, coming of adult age in the drab Cold War, red scare, conformist 1950s that not even the wildly popular Mad Men can resurrect as a time which honored fruitful and edgy work, except on the coastal margins of society. His earlier writings show that effect. Nevertheless, only a few, and with time it seems fewer in each generation, allow themselves to search for some kind of truth even if they cannot go the whole distance. This compilation under review is a hodgepodge of articles over the best part of Thompson’s career, the part culminating with the demise of the arch-fiend, arch-political fiend, Richard Nixon. As with all journalists, as indeed with all writers especially those who are writing under the pressure of time-lines and for mass circulation media, these pieces show an uneven quality. Hunter's manic work habits, driven by high dope infusions and high-wire physical stress, only added to the frenzied corners of his work which inevitably was produced under some duress, a duress that drove his hard-boiled inner demons onward. However the total effect is to blast old bourgeois society almost to its foundations. Others, hopefully, will push on further.
One should note that "gonzo" journalism is quite compatible with socialist materialism. That is, the writer is not precluded from interpreting the events described within a story by interposing himself/herself as an actor in that story. The worst swindle in journalism, fostered by the formal journalism schools, as well as in the formal schools of other disciplines like history and political science, is that somehow one must be ‘objective’. Reality is better served if the writer puts his/her analysis correctly and then gets out of the way. In his best work that was Hunter’s way.
As a member of the generation of 1968 I would note that the period covered by this compilation was a period of particular importance in American history, the covering of which won Hunter his spurs as a journalist. Hunter, like many of us, cut his political teeth on wrestling with the phenomena of one Richard Milhous Nixon, at one time President of the United States, all-around political chameleon and off-hand common criminal. His articles beginning in 1968 when Nixon was on the rising curve of his never ending “comeback” trail to his fated (yes, fated) demise in the aftermath of the Watergate are required reading (and funny to boot). Thompson went out of his way, way out of his way, and with pleasure, skewering that man when he was riding high. He was moreover just as happy to kick Nixon when he was down, just for good measure. Nixon, as Robert Kennedy in one of his more lucid comments noted, represented the "dark side" of the American spirit- the side that appears today as the bully boy of the world and as craven brute. If for nothing else Brother Thompson deserves a place in the pantheon of journalistic heroes for this exercise in elementary political hygiene. Anyone who wants to rehabilitate THAT man before history please consult Thompson’s work.
Beyond the Nixon-related articles that form the core of the book there are some early pieces that are definitely not Gonzo-like. They are more straightforward journalism to earn a buck, although they show the trademark insightfulness that served Thompson well over the early part of his career. Read his pieces on Ernest Hemingway-searching in Idaho, the non-student left in the 1960’s, especially the earnest early 1960s before the other shoe dropped and we were all confronted with the madness of the beast, unchained , the impact of the ‘beats’ on the later counter cultural movements and about the ‘hippie’ invasion of San Francisco. The seminal piece on the Kentucky Derby in 1970 which is his ‘failed’ (according to him, not others) initial stab at “gonzo” journalism is a must read. And finally, if nothing else read the zany adventures of the articles that give us the title of the book, “The Great Shark Hunt”, and his ‘tribute’ to his friend the “Brown Buffalo” of future legend, Oscar Acosta. Those are high water marks in the great swirl of Hunter S. Thompson’s career. Hunter, I hope you find the Brown Buffalo wherever you are. Read this book. Read all his books.”
As for the pieces here, mainly the journalistic pieces that form the core of this compilation, the format of the book is divided up into decades starting from the pre-gonzo days of the1950s (although you can detect a certain flare for putting himself inside the story even then, note Prince Jellyfish) to the woe-begone mad efforts (on local law enforcement’s part) to legally destroy Brother Thompson in the early 1990s. In between, Thompson runs through side commentaries on the whys and wherefore of his famous “fear and loathing” works that were the bedrock of his version of gonzo journalism. Additionally, in the 1980s he makes, to my mind, something of a comeback with his reportage on the Pulitzer divorce proceedings in Palm Beach and some of his work (published more extensively elsewhere in another compilation as well) for the San Francisco Examiner. One piece, one short piece that may sum up what Hunter Thompson was trying to do, and what make be his best individual piece of flat-out king hell king good Hemingway/Fitzgerald writing is High Water Mark from Fear and Loathing In Las Vegas. That is “high” Thompson as well as very good exposition of where and when the tide ebbed for those of us seeking a “newer world” in the 1960s. Buy the ticket; take the ride as he would say.
Book Review
Songs Of The Doomed; Gonzo Papers Volume Three, Hunter S. Thompson, 1978
In a review of Hunter Thompson's early journalistic work compiled under the title , The Great Shark Hunt, a retrospective sampling of his works through the early 1970s, many which appeared in the pages of Rolling Stone magazine during its more radical, hipper phase, I noted the following points that are useful to repost here in reviewing Songs Of The Doomed, another later , similar compilation of his journalistic pieces:
“Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists, like Karl Marx. Vladimir Lenin, and Leon Trotsky and other less radical progressive thinkers. Bourgeois society rarely allows itself, in self-defense if nothing else, to be skewered by trenchant criticism from within. This is particularly true when it comes from a man of big, high life appetites, a known dope fiend, a furious wild man gun freak, and all-around edge city lifestyle addict like the late, massively lamented, massively lamented in this quarter in any case, Dr. Hunter S. Thompson. Nevertheless, although he was far, very far, from any thought of a socialist solution to society's current problems and would reject such a designation, I think out of hand, we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us-but he was one of us. All honor to him for pushing the envelope of mad truth-seeking journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.
I am not sure whether at the end of the day Hunter Thompson saw himself, or wanted to been seen, as a voice, or the voice, of his generation but he would not be an unworthy candidate. In any case, his was not the voice of the generation of 1968, my generation, being just enough older to have been formed by an earlier, less forgiving milieu, coming of adult age in the drab Cold War, red scare, conformist 1950s that not even the wildly popular Mad Men can resurrect as a time which honored fruitful and edgy work, except on the coastal margins of society. His earlier writings show that effect. Nevertheless, only a few, and with time it seems fewer in each generation, allow themselves to search for some kind of truth even if they cannot go the whole distance. This compilation under review is a hodgepodge of articles over the best part of Thompson’s career, the part culminating with the demise of the arch-fiend, arch-political fiend, Richard Nixon. As with all journalists, as indeed with all writers especially those who are writing under the pressure of time-lines and for mass circulation media, these pieces show an uneven quality. Hunter's manic work habits, driven by high dope infusions and high-wire physical stress, only added to the frenzied corners of his work which inevitably was produced under some duress, a duress that drove his hard-boiled inner demons onward. However the total effect is to blast old bourgeois society almost to its foundations. Others, hopefully, will push on further.
One should note that "gonzo" journalism is quite compatible with socialist materialism. That is, the writer is not precluded from interpreting the events described within a story by interposing himself/herself as an actor in that story. The worst swindle in journalism, fostered by the formal journalism schools, as well as in the formal schools of other disciplines like history and political science, is that somehow one must be ‘objective’. Reality is better served if the writer puts his/her analysis correctly and then gets out of the way. In his best work that was Hunter’s way.
As a member of the generation of 1968 I would note that the period covered by this compilation was a period of particular importance in American history, the covering of which won Hunter his spurs as a journalist. Hunter, like many of us, cut his political teeth on wrestling with the phenomena of one Richard Milhous Nixon, at one time President of the United States, all-around political chameleon and off-hand common criminal. His articles beginning in 1968 when Nixon was on the rising curve of his never ending “comeback” trail to his fated (yes, fated) demise in the aftermath of the Watergate are required reading (and funny to boot). Thompson went out of his way, way out of his way, and with pleasure, skewering that man when he was riding high. He was moreover just as happy to kick Nixon when he was down, just for good measure. Nixon, as Robert Kennedy in one of his more lucid comments noted, represented the "dark side" of the American spirit- the side that appears today as the bully boy of the world and as craven brute. If for nothing else Brother Thompson deserves a place in the pantheon of journalistic heroes for this exercise in elementary political hygiene. Anyone who wants to rehabilitate THAT man before history please consult Thompson’s work.
Beyond the Nixon-related articles that form the core of the book there are some early pieces that are definitely not Gonzo-like. They are more straightforward journalism to earn a buck, although they show the trademark insightfulness that served Thompson well over the early part of his career. Read his pieces on Ernest Hemingway-searching in Idaho, the non-student left in the 1960’s, especially the earnest early 1960s before the other shoe dropped and we were all confronted with the madness of the beast, unchained , the impact of the ‘beats’ on the later counter cultural movements and about the ‘hippie’ invasion of San Francisco. The seminal piece on the Kentucky Derby in 1970 which is his ‘failed’ (according to him, not others) initial stab at “gonzo” journalism is a must read. And finally, if nothing else read the zany adventures of the articles that give us the title of the book, “The Great Shark Hunt”, and his ‘tribute’ to his friend the “Brown Buffalo” of future legend, Oscar Acosta. Those are high water marks in the great swirl of Hunter S. Thompson’s career. Hunter, I hope you find the Brown Buffalo wherever you are. Read this book. Read all his books.”
As for the pieces here, mainly the journalistic pieces that form the core of this compilation, the format of the book is divided up into decades starting from the pre-gonzo days of the1950s (although you can detect a certain flare for putting himself inside the story even then, note Prince Jellyfish) to the woe-begone mad efforts (on local law enforcement’s part) to legally destroy Brother Thompson in the early 1990s. In between, Thompson runs through side commentaries on the whys and wherefore of his famous “fear and loathing” works that were the bedrock of his version of gonzo journalism. Additionally, in the 1980s he makes, to my mind, something of a comeback with his reportage on the Pulitzer divorce proceedings in Palm Beach and some of his work (published more extensively elsewhere in another compilation as well) for the San Francisco Examiner. One piece, one short piece that may sum up what Hunter Thompson was trying to do, and what make be his best individual piece of flat-out king hell king good Hemingway/Fitzgerald writing is High Water Mark from Fear and Loathing In Las Vegas. That is “high” Thompson as well as very good exposition of where and when the tide ebbed for those of us seeking a “newer world” in the 1960s. Buy the ticket; take the ride as he would say.
Book Review
Songs Of The Doomed; Gonzo Papers Volume Three, Hunter S. Thompson, 1978
In a review of Hunter Thompson's early journalistic work compiled under the title , The Great Shark Hunt, a retrospective sampling of his works through the early 1970s, many which appeared in the pages of Rolling Stone magazine during its more radical, hipper phase, I noted the following points that are useful to repost here in reviewing Songs Of The Doomed, another later , similar compilation of his journalistic pieces:
“Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists, like Karl Marx. Vladimir Lenin, and Leon Trotsky and other less radical progressive thinkers. Bourgeois society rarely allows itself, in self-defense if nothing else, to be skewered by trenchant criticism from within. This is particularly true when it comes from a man of big, high life appetites, a known dope fiend, a furious wild man gun freak, and all-around edge city lifestyle addict like the late, massively lamented, massively lamented in this quarter in any case, Dr. Hunter S. Thompson. Nevertheless, although he was far, very far, from any thought of a socialist solution to society's current problems and would reject such a designation, I think out of hand, we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us-but he was one of us. All honor to him for pushing the envelope of mad truth-seeking journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.
I am not sure whether at the end of the day Hunter Thompson saw himself, or wanted to been seen, as a voice, or the voice, of his generation but he would not be an unworthy candidate. In any case, his was not the voice of the generation of 1968, my generation, being just enough older to have been formed by an earlier, less forgiving milieu, coming of adult age in the drab Cold War, red scare, conformist 1950s that not even the wildly popular Mad Men can resurrect as a time which honored fruitful and edgy work, except on the coastal margins of society. His earlier writings show that effect. Nevertheless, only a few, and with time it seems fewer in each generation, allow themselves to search for some kind of truth even if they cannot go the whole distance. This compilation under review is a hodgepodge of articles over the best part of Thompson’s career, the part culminating with the demise of the arch-fiend, arch-political fiend, Richard Nixon. As with all journalists, as indeed with all writers especially those who are writing under the pressure of time-lines and for mass circulation media, these pieces show an uneven quality. Hunter's manic work habits, driven by high dope infusions and high-wire physical stress, only added to the frenzied corners of his work which inevitably was produced under some duress, a duress that drove his hard-boiled inner demons onward. However the total effect is to blast old bourgeois society almost to its foundations. Others, hopefully, will push on further.
One should note that "gonzo" journalism is quite compatible with socialist materialism. That is, the writer is not precluded from interpreting the events described within a story by interposing himself/herself as an actor in that story. The worst swindle in journalism, fostered by the formal journalism schools, as well as in the formal schools of other disciplines like history and political science, is that somehow one must be ‘objective’. Reality is better served if the writer puts his/her analysis correctly and then gets out of the way. In his best work that was Hunter’s way.
As a member of the generation of 1968 I would note that the period covered by this compilation was a period of particular importance in American history, the covering of which won Hunter his spurs as a journalist. Hunter, like many of us, cut his political teeth on wrestling with the phenomena of one Richard Milhous Nixon, at one time President of the United States, all-around political chameleon and off-hand common criminal. His articles beginning in 1968 when Nixon was on the rising curve of his never ending “comeback” trail to his fated (yes, fated) demise in the aftermath of the Watergate are required reading (and funny to boot). Thompson went out of his way, way out of his way, and with pleasure, skewering that man when he was riding high. He was moreover just as happy to kick Nixon when he was down, just for good measure. Nixon, as Robert Kennedy in one of his more lucid comments noted, represented the "dark side" of the American spirit- the side that appears today as the bully boy of the world and as craven brute. If for nothing else Brother Thompson deserves a place in the pantheon of journalistic heroes for this exercise in elementary political hygiene. Anyone who wants to rehabilitate THAT man before history please consult Thompson’s work.
Beyond the Nixon-related articles that form the core of the book there are some early pieces that are definitely not Gonzo-like. They are more straightforward journalism to earn a buck, although they show the trademark insightfulness that served Thompson well over the early part of his career. Read his pieces on Ernest Hemingway-searching in Idaho, the non-student left in the 1960’s, especially the earnest early 1960s before the other shoe dropped and we were all confronted with the madness of the beast, unchained , the impact of the ‘beats’ on the later counter cultural movements and about the ‘hippie’ invasion of San Francisco. The seminal piece on the Kentucky Derby in 1970 which is his ‘failed’ (according to him, not others) initial stab at “gonzo” journalism is a must read. And finally, if nothing else read the zany adventures of the articles that give us the title of the book, “The Great Shark Hunt”, and his ‘tribute’ to his friend the “Brown Buffalo” of future legend, Oscar Acosta. Those are high water marks in the great swirl of Hunter S. Thompson’s career. Hunter, I hope you find the Brown Buffalo wherever you are. Read this book. Read all his books.”
As for the pieces here, mainly the journalistic pieces that form the core of this compilation, the format of the book is divided up into decades starting from the pre-gonzo days of the1950s (although you can detect a certain flare for putting himself inside the story even then, note Prince Jellyfish) to the woe-begone mad efforts (on local law enforcement’s part) to legally destroy Brother Thompson in the early 1990s. In between, Thompson runs through side commentaries on the whys and wherefore of his famous “fear and loathing” works that were the bedrock of his version of gonzo journalism. Additionally, in the 1980s he makes, to my mind, something of a comeback with his reportage on the Pulitzer divorce proceedings in Palm Beach and some of his work (published more extensively elsewhere in another compilation as well) for the San Francisco Examiner. One piece, one short piece that may sum up what Hunter Thompson was trying to do, and what make be his best individual piece of flat-out king hell king good Hemingway/Fitzgerald writing is High Water Mark from Fear and Loathing In Las Vegas. That is “high” Thompson as well as very good exposition of where and when the tide ebbed for those of us seeking a “newer world” in the 1960s. Buy the ticket; take the ride as he would say.
Sunday, June 19, 2011
*When “Doctor Gonzo” Was "King Of The Hill'-The Master Journalism Of Hunter S. Thompson-"The Great Shark Hunt"
Book Review
The Great Shark Hunt; Gonzo Papers Volume One, Hunter S. Thompson, 1978
In a review of Hunter Thompson's later journalistic work compiled under the title , Song Of The Doomed, a retrospective sampling of his works through the early 1990s, many of the early pieces which appeared in the pages of Rolling Stone magazine during its more radical, hipper phase, I noted the following points that are useful to repost here in reviewing The Great Shark Hunt, an earlier, similar compilation of his journalistic pieces:
“Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists, like Karl Marx. Vladimir Lenin, and Leon Trotsky and other less radical progressive thinkers. Bourgeois society rarely allows itself, in self-defense if nothing else, to be skewered by trenchant criticism from within. This is particularly true when it comes from a man of big, high life appetites, a known dope fiend, a furious wild man gun freak, and all-around edge city lifestyle addict like the late, massively lamented, massively lamented in this quarter in any case, Dr. Hunter S. Thompson. Nevertheless, although he was far, very far, from any thought of a socialist solution to society's current problems and would reject such a designation, I think out of hand, we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us-but he was one of us. All honor to him for pushing the envelope of mad truth-seeking journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.
I am not sure whether at the end of the day Hunter Thompson saw himself, or wanted to been seen, as a voice, or the voice, of his generation but he would not be an unworthy candidate. In any case, his was not the voice of the generation of 1968, my generation, being just enough older to have been formed by an earlier, less forgiving milieu, coming of adult age in the drab Cold War, red scare, conformist 1950s that not even the wildly popular Mad Men can resurrect as a time which honored fruitful and edgy work, except on the coastal margins of society. His earlier writings show that effect. Nevertheless, only a few, and with time it seems fewer in each generation, allow themselves to search for some kind of truth even if they cannot go the whole distance. This compilation under review is a hodgepodge of articles over the best part of Thompson’s career, the part culminating with the demise of the arch-fiend, arch-political fiend, Richard Nixon. As with all journalists, as indeed with all writers especially those who are writing under the pressure of time-lines and for mass circulation media, these pieces show an uneven quality. Hunter's manic work habits, driven by high dope infusions and high-wire physical stress, only added to the frenzied corners of his work which inevitably was produced under some duress, a duress that drove his hard-boiled inner demons onward. However the total effect is to blast old bourgeois society almost to its foundations. Others, hopefully, will push on further.
One should note that "gonzo" journalism is quite compatible with socialist materialism. That is, the writer is not precluded from interpreting the events described within a story by interposing himself/herself as an actor in that story. The worst swindle in journalism, fostered by the formal journalism schools, as well as in the formal schools of other disciplines like history and political science, is that somehow one must be ‘objective’. Reality is better served if the writer puts his/her analysis correctly and then gets out of the way. In his best work that was Hunter’s way.
As a member of the generation of 1968 I would note that the period covered by this compilation was a period of particular importance in American history, the covering of which won Hunter his spurs as a journalist. Hunter, like many of us, cut his political teeth on wrestling with the phenomena of one Richard Milhous Nixon, at one time President of the United States, all-around political chameleon and off-hand common criminal. His articles beginning in 1968 when Nixon was on the rising curve of his never ending “comeback” trail to his fated (yes, fated) demise in the aftermath of the Watergate are required reading (and funny to boot). Thompson went out of his way, way out of his way, and with pleasure, skewering that man when he was riding high. He was moreover just as happy to kick Nixon when he was down, just for good measure. Nixon, as Robert Kennedy in one of his more lucid comments noted, represented the "dark side" of the American spirit- the side that appears today as the bully boy of the world and as craven brute. If for nothing else Brother Thompson deserves a place in the pantheon of journalistic heroes for this exercise in elementary political hygiene. Anyone who wants to rehabilitate THAT man before history please consult Thompson’s work.
Beyond the Nixon-related articles that form the core of the book there are some early pieces that are definitely not Gonzo-like. They are more straightforward journalism to earn a buck, although they show the trademark insightfulness that served Thompson well over the early part of his career. Read his pieces on Ernest Hemingway-searching in Idaho, the non-student left in the 1960’s, especially the earnest early 1960s before the other shoe dropped and we were all confronted with the madness of the beast, unchained , the impact of the ‘beats’ on the later counter cultural movements and about the ‘hippie’ invasion of San Francisco. The seminal piece on the Kentucky Derby in 1970 which is his ‘failed’ (according to him, not others) initial stab at “gonzo” journalism is a must read. And finally, if nothing else read the zany adventures of the articles that give us the title of the book, “The Great Shark Hunt”, and his ‘tribute’ to his friend the “Brown Buffalo” of future legend, Oscar Acosta. Those are high water marks in the great swirl of Hunter S. Thompson’s career. Hunter, I hope you find the Brown Buffalo wherever you are. Read this book. Read all his books.”
The Great Shark Hunt; Gonzo Papers Volume One, Hunter S. Thompson, 1978
In a review of Hunter Thompson's later journalistic work compiled under the title , Song Of The Doomed, a retrospective sampling of his works through the early 1990s, many of the early pieces which appeared in the pages of Rolling Stone magazine during its more radical, hipper phase, I noted the following points that are useful to repost here in reviewing The Great Shark Hunt, an earlier, similar compilation of his journalistic pieces:
“Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists, like Karl Marx. Vladimir Lenin, and Leon Trotsky and other less radical progressive thinkers. Bourgeois society rarely allows itself, in self-defense if nothing else, to be skewered by trenchant criticism from within. This is particularly true when it comes from a man of big, high life appetites, a known dope fiend, a furious wild man gun freak, and all-around edge city lifestyle addict like the late, massively lamented, massively lamented in this quarter in any case, Dr. Hunter S. Thompson. Nevertheless, although he was far, very far, from any thought of a socialist solution to society's current problems and would reject such a designation, I think out of hand, we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us-but he was one of us. All honor to him for pushing the envelope of mad truth-seeking journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.
I am not sure whether at the end of the day Hunter Thompson saw himself, or wanted to been seen, as a voice, or the voice, of his generation but he would not be an unworthy candidate. In any case, his was not the voice of the generation of 1968, my generation, being just enough older to have been formed by an earlier, less forgiving milieu, coming of adult age in the drab Cold War, red scare, conformist 1950s that not even the wildly popular Mad Men can resurrect as a time which honored fruitful and edgy work, except on the coastal margins of society. His earlier writings show that effect. Nevertheless, only a few, and with time it seems fewer in each generation, allow themselves to search for some kind of truth even if they cannot go the whole distance. This compilation under review is a hodgepodge of articles over the best part of Thompson’s career, the part culminating with the demise of the arch-fiend, arch-political fiend, Richard Nixon. As with all journalists, as indeed with all writers especially those who are writing under the pressure of time-lines and for mass circulation media, these pieces show an uneven quality. Hunter's manic work habits, driven by high dope infusions and high-wire physical stress, only added to the frenzied corners of his work which inevitably was produced under some duress, a duress that drove his hard-boiled inner demons onward. However the total effect is to blast old bourgeois society almost to its foundations. Others, hopefully, will push on further.
One should note that "gonzo" journalism is quite compatible with socialist materialism. That is, the writer is not precluded from interpreting the events described within a story by interposing himself/herself as an actor in that story. The worst swindle in journalism, fostered by the formal journalism schools, as well as in the formal schools of other disciplines like history and political science, is that somehow one must be ‘objective’. Reality is better served if the writer puts his/her analysis correctly and then gets out of the way. In his best work that was Hunter’s way.
As a member of the generation of 1968 I would note that the period covered by this compilation was a period of particular importance in American history, the covering of which won Hunter his spurs as a journalist. Hunter, like many of us, cut his political teeth on wrestling with the phenomena of one Richard Milhous Nixon, at one time President of the United States, all-around political chameleon and off-hand common criminal. His articles beginning in 1968 when Nixon was on the rising curve of his never ending “comeback” trail to his fated (yes, fated) demise in the aftermath of the Watergate are required reading (and funny to boot). Thompson went out of his way, way out of his way, and with pleasure, skewering that man when he was riding high. He was moreover just as happy to kick Nixon when he was down, just for good measure. Nixon, as Robert Kennedy in one of his more lucid comments noted, represented the "dark side" of the American spirit- the side that appears today as the bully boy of the world and as craven brute. If for nothing else Brother Thompson deserves a place in the pantheon of journalistic heroes for this exercise in elementary political hygiene. Anyone who wants to rehabilitate THAT man before history please consult Thompson’s work.
Beyond the Nixon-related articles that form the core of the book there are some early pieces that are definitely not Gonzo-like. They are more straightforward journalism to earn a buck, although they show the trademark insightfulness that served Thompson well over the early part of his career. Read his pieces on Ernest Hemingway-searching in Idaho, the non-student left in the 1960’s, especially the earnest early 1960s before the other shoe dropped and we were all confronted with the madness of the beast, unchained , the impact of the ‘beats’ on the later counter cultural movements and about the ‘hippie’ invasion of San Francisco. The seminal piece on the Kentucky Derby in 1970 which is his ‘failed’ (according to him, not others) initial stab at “gonzo” journalism is a must read. And finally, if nothing else read the zany adventures of the articles that give us the title of the book, “The Great Shark Hunt”, and his ‘tribute’ to his friend the “Brown Buffalo” of future legend, Oscar Acosta. Those are high water marks in the great swirl of Hunter S. Thompson’s career. Hunter, I hope you find the Brown Buffalo wherever you are. Read this book. Read all his books.”
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