Wednesday, January 25, 2012

Out In The 1940s Crime Noir Night- A Pre-Miranda Nightmare- Dana Andrew’s “Boomerang”- A Review

Click on the headline to link to a Wikipedia entry for the crime noir Boomerang.

DVD Review

Boomerang, starring Dana Andrews, Jane Wyatt, Lee J. Cobb, Ed Begley, directed by Elia Kazan, 1947

Most crime noir is NOT a lesson in plebeian civil virtue, good republican police procedure, or wavy grey area moral dilemmas. The best crime noir is where, sure, the bad guys has it coming and by fair means or foul the good guys, cops, privates dicks, or just guys and gals caught in the middle of something, made sure they got it, got in spades, right up to the chair. No quarter given, none taken and we, the audience we, were happy with the result, or at least were not going waste good mother-washed and ironed handkerchiefs over their fate. Or, alternatively, alternatively, best crime noir, that is, occurred when some femme fatale, good or bad, and, we, the male part of the we audience anyway, were not all that choosey which as long as she was fetching, wrapped up a guy so bad he couldn’t think straight, and led him, maybe led him right up to that aforementioned chair. Gladly, or half gladly anyway.

In the film under review, Boomerang, neither of these conditions exists yet this is still an interesting crime noir despite its sometimes cloying moral certitudes and raw virtuous civics lesson overhang. Moreover, watching this thing in a post-Miranda (1964) world made this reviewer finally realize what the fuss was all about when the Warren Court brought the wild west boys cop justice under a little control. A little I said, so don’t make too much of it. Let’s just get to the plot and you can figure out why, okay.

As the film opens a man of the cloth, a padre, gets dead-aim stone-cold killer shot out in the mean 1940s Middle America Connecticut streets by a someone, some guy. Back then, and maybe today too, this gangster-style or psycho-driven execution rated big 24/7 news and howls of protest, especially since the padre was on the way to neighborhood sainthood. So like any high profile murder case the cops and the DA are pressing, and being pressed, and pressed hard to find this killer who is still walking free to maybe do murder and mayhem again.

And here is where the Miranda part comes in. The cops, the newly anointed town reform civil leaders, the recently thrown-out corrupt city leaders, the newspapers, and the DA’s office are all crying for vengeance and a quick solution to the murder (and their PR problems). The cops, the pre-Miranda cops, led by Lee J. Cobb, are more than happy to oblige them when after a massive manhunt they turn up one drifter, grifter, down at the heels guy, played by Arthur Kennedy, as the fall guy. The frame is on, on big time. Of course, he is the fall guy after a little off-hand by the book, the unwritten book, rough stuff down sans lawyer at the precinct house and some very tricky footwork around the evidence bin, the human witness and murder weapon evidence bin. They have poor Brother Kennedy screaming “uncle” before long and he is tailor-made for the big house, and the chair. Open and shut.

But hold on a minute, a very long minute, the DA, played by Dana Andrews, has second thought qualms about this railroad job and despite every possible corrupt effort to derail him from the compliant judge, to the cops, to some newspaper guys, to those virtuous civic-minded city fathers, he is after all a truth-seeker. He plods on supported only by wifey, played by Jane Wyatt, who knowing her man, sticks by him through thick and thin. Natch. But, jesus, justice in this case was a close thing, and only came off because our DA boy actually listened up that day they had the ethics class in law school. So you see what I mean about this being an okay film even with no drop-dead bad guys, or drop-dead beautiful femme fatales.

Note behind the camera: Looking at the credits here you will note at least two names that deserve special mention, the director Elia Kazan and the actor Lee J. Cobb. No, not for their well-known cinematic efforts then, or later (films such as On The Waterfront, Viva Zapata, Death Of A Salesman, etc. between them), but for their less that stellar (I am being kind here considering we are dealing with classic “finks” and stoolies.”) performances before various congressional committees in high 1950s cold war, red scare times “dropping dimes, (hell, quarters and half dollars)” on their communist fellows (mostly one-time pinkish fellow-travelers but the effect was the same) in the entertainment industry. Obviously these two guys didn’t “get” the point in Boomerang after all. The hell with them.

Out Of The 1940s Crime Noir Night-Have Gun Will Travel- “Gun Crazy”- A Film Review

Click on the headline to link to a Wikipedia entry for the crime noir Gun Crazy.

DVD Review

Gun Crazy, starring Peggy Cummins, John Dall, screenplay by Dalton Trumbo and MacKinlay Kantor, 1949

Personally I like my crime noir femme fatales on the kind of good side, not too good but maybe good like Lauren Bacall in To Have or Have Not or The Big Sleep. Or Rita Hayworth when the dust settled in Gilda. No way do I want a dame that I have to watch out over my shoulder on like the same Rita Hayworth in The Lady From Shang-hia or Jane Greer in Out Of The Past. That company is just a little too fast for me. And, no I ain’t no Walter Mitty, or no fading, wilting flower but a guy has enough troubles in this world without some frail turning him over, turning him over bad. And no way, no way in hell, do I want some femme fatale, good, bad, or indifference who is kind of trigger-happy. Jesus, no way. So needless to say I am staying far, far away from Ms. Laurie (played by Peggy Cummins), the twist that has our guy Bart (played by John Dall) all wired up in the film under review, Gun Crazy.

And this is a good place to run the plot line in this little 1949 sleeper of a film. While the dialogue gets thin in spots and it’s just a little too didactic in the "don’t play with guns" department the adventures of this pair and the fast pace they need to travel at makes this an enjoyable one and one half hour see. As you can tell from the film’s title and as I have already tipped you to this is about guns, or rather about a pair of young, post-World War II modern alienated youth who have a yearning, a lust, for guns. And each other, make of that what you will. As for Bart the gun thing is more a fascination, a feel good thing . And as for Laurie, well let’s just say she has problems, serious problems every time she gets within two feet of a gun, and the slightest smell of danger.

What hold this thing together is that Bart is dizzy, dizzier that he is about guns, for the dame, unlike sensible guys like you and me. Laurie wants to live the high life and in order to do so she needs a guy who can step with her. And shooting the stars out of the rubes in a two-bit back road carnival where she meets up with Bart is not going to do it. So they run away, off-handedly get married (this is 1949 after all), and try their luck at this and that. But like many young footloose couples then, and now, this and that didn’t work out. So a little career change was in order, say armed robbery to get a stake together and then on to easy street down in some south of the border lamster village.

But, see, here is where the “moral” that drives all of these crime noirs, crime doesn’t pay, kicks in, kicks in big time. Crime and guns don’t pay for good guys, or bad, or even young footloose couples trying to make a stake, especially when wifey has that loose trigger-finger. So you know without me telling you that this pair, out of luck, on the lam, and friendless can’t ever, ever see that white picket fence day just ahead. No way.

Note: Of course 1949 was the heart of the cold war, red scare, commie under every bed, and behind every film, Hollywood Ten before congressional subpoena committees, dark cultural blizzard night. So don’t be fooled by the screenplay writer credits. This joint effort had one red scare Hollywood Ten writer, Dalton Trumbo, using that old time devise, the front. Hollywood, this country, and future generations should remember that black time, that dark night when some vaunted cultural freedoms got short shrift. And remember too a guy name Kirk Douglas who said the hell with all that later and gave Hollywood Ten-types like Trumbo and John Howard Lawson screen credit when he made Spartacus.

Tuesday, January 17, 2012

On The 100th Anniversary Of The Great IWW-led Lawrence Textile Strike Of 1912-Reflections In A Wobblie Wind

Every kid who has had wanderlust, even just a starry little, little bit on his or her way to the big, bad world. Meaning every half-starved, ill-clothed, hard-scrabble kid reduced to life in walking paces, footsore, time-lost sore, endless bus waiting sore, and not the speed, the “boss” hi-blown ’57 gilded cherry red Chevy speed of the 20th century go-go (and, hell, not even close in the 21st century speedo Audi super go-go) itching, itching like crazy, like feverish night sweats crazy, to bust out of the small, no, tiny, four-square wall project existence and have a room, a big room, of his or her own.

Meaning also every day-dream kid doodling his or her small-sized dream away looking out at forlorn white foam-flecked, grey-granite ocean expanses, flat brown-yellow, hell, beyond brown-yellow to some evil muck prairie home expanses, up ice cold, ice blue, beyond blue rocky mountain high expanses and stuck. Just plain, ordinary, vanilla stuck in the 1950s (or name your very own generational signifier) red scare, cold war, maybe we won’t be here tomorrow, one size fits all, death to be-bop non-be-bop night. Ya, just plain, ordinary, vanilla stuck. What other way is there to say it.

And every kid who dreamed the dream of the great jail break-out of dark, dank, deathic bourgeois family around the square, very square, table life and unnamed, maybe un-namable, teen hormonal craziness itching, just itching that’s all. Waiting, waiting infinity waiting, kid infinity waiting, for the echo rebound be-bop middle of the night sound of mad monk rock daddies from far away radio planets, and an occasional momma too, to ease the pain, to show the way, hell, to dance the way away. To break out of the large four-square wall suburban existence, complete with Spot dog, and have some breathe, some asphalt highway not traveled, some Jersey turnpike of the mind not traveled, of his or her own.

Meaning also, just in case it was not mentioned before, every day-dream kid, small roomed or large, doodling, silly doodling to tell the truth, his or her dream away looking out at fetid seashores next to ocean expanses, corn-fed fields next to prairie home expanses, blasted human-handed rocks up rocky mountain high expanses and stuck. Just plain, ordinary, vanilla stuck in the 1950s (oh, ya, just name your generational signifier, okay) red scare, cold war, maybe we won’t be here tomorrow, one size fits all, death to be-bop non-be-bop night. Ya, just plain, ordinary, vanilla stuck. What other way is there to say it.

And every guy or gal who has been down on their luck a little. Like maybe he or she just couldn’t jump out of that project rut, couldn’t jump that hoop when somebody just a little higher up in the food chain laughed at those ill-fitted clothes, those stripped cuffed pants one size too large when black chinos, uncuffed, were called for. Or when stuffed bologna sandwiches, no mustard, had to serve to still some hunger, some ever present hunger. Or just got caught holding some wrong thing, some non-descript bauble really, or just had to sell their thing for their daily bread and got tired, no, weary, weary-tired weary, of looking at those next to ocean, prairie, rocky mountain expanses. Or, maybe, came across some wrong gee, some bad-ass drifter, grifter or midnight sifter and had to flee. Ya, crap like that happens, happens all the time in project time. And split, split in two, maybe more, split west I hope.

And every guy or gal who has slept, newspaper, crushed hat, or folded hands for a pillow, all worldly possessions in some ground found Safeway shopping bag along some torrent running river, under some hide-away bridge, off some arroyo spill, hell, anywhere not noticed and safe, minute safe, from prying, greedy evil hands. Worst, the law. Or, half-dazed smelling of public toilet soap and urinals, half-dozing on some hard shell plastic seat avoiding maddened human this way and that traffic noises and law prodding keep movings and you can’t stay heres in some wayward Winnemucca, Roseburg, Gilroy, Paseo, El Paso, Neola, the names are legion, Greyhound, Continental, Trailways bus station. Or sitting by campfires, chicken scratch firewood, flame-flecked, shadow canyon boomer, eating slop stews, olio really, in some track-side hobo jungle waiting, day and day waiting, bindle ready, for some Southern Pacific or Denver and Rio Grande bull-free freight train smoke to move on.

Hell, everybody, not just lonely hard- luck project boys, wrong, dead wrong girls, wronged, badly wronged, girls, wise guy guys who got catch short, wrong gees on the run, right gees on the run from some shadow past, drifters, grifters and midnight sifters, society boys on a spree, debutantes out for a thrill, and just plain ordinary vanilla day-dreamers who just wanted to be free from the chains of the nine to five white picket fence work forty years and get your gold watch (if that) retirement capitalist system was (and, maybe, secretly is) an old Wobblie at heart. Ya, just like Big Bill (Haywood), Jim Cannon, the Rebel Girl (Elizabeth Gurley Flynn), Joe Hill, Frank Little, Vincent Saint John (and me). Ya, all the one big union boys and girls from way back, just to name a few.

Except when you need to take on the big issues, the life and death struggle to keep our unions against the capitalist onslaught to reduce us to chattel, the anti-war wars giving the self-same imperialists not one penny nor one person for their infernal wars as they deface the world, the class wars where they take no prisoners, none, then you need something more. Something more that kiddish child’s dreams, hobo camp freedom fireside smoke, or Rio Grande train white flume smoke. That is when day dreaming gets you cut up. That is when you need to stay in one place and fight. That is when you need more than what our beloved old free-wheeling wobblie dream could provide. And that is a fact, a hard fact, sisters and brothers.

Sunday, January 15, 2012

From #Ur-Occupied Boston (#Ur-Tomemonos Boston)-General Assembly-The Embryo Of An Alternate Government-Learn The Lessons Of History, Recent History-OB Consents to Trial of Weekly Action Assembly

Click on the headline to link to updates from the Occupy Boston website. Occupy Boston started at 6:00 PM, September 30, 2011. I will post important updates as they appear on that site.
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An Injury To One Is An Injury To All!-Defend All The Occupation Sites And All The Occupiers! Drop All Charges Against All Protesters Everywhere!

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Fight-Don’t Starve-We Created The Wealth, Let's Take It, It’s Ours! Labor And The Oppressed Must Rule!
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Below I am posting, occasionally, comments on the Occupy movement as I see or hear things of interest, or that cause alarm bells to ring in my head. The first comment directly below from October 1, which represented my first impressions of Occupy Boston, is the lead for all further postings.
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Markin comment October 1, 2011:

There is a lot of naiveté expressed about the nature of capitalism, capitalists, and the way to win in the class struggle by various participants in this occupation. Many also have attempted to make a virtue out of that naiveté, particularly around the issues of effective democratic organization and relationships with the police (they are not our friends, no way, when the deal goes down). However, their spirit is refreshing, they are acting out of good subjective anti-capitalist motives and, most importantly, even those of us who call themselves "reds" (communists), including this writer, started out from liberal premises as naive, if not more so, than those encountered at the occupation site. We can all learn something but in the meantime we must defend the "occupation" and the occupiers. More later as the occupation continues.
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Markin comment January 15, 2012

In several recent comments (in late December) in this space my old radical friend and alternative newspaper commentator, Josh Breslin, noted that the Occupy movement seemed to have lost energy and was , as he vividly described it, a movement of generals without a army. I, initially, argued with him about that characterization saying that this was just a period of growing pains and things would sort themselves out over the next several months. Then a series of disturbing events occurred topped off by what I will here call the “sex registry question” to make me thing that old Josh, once again, was right. Only I would characterize things, unlike Josh, as a succumbing to the circle spirit and as yet another example of the revolution devouring its own. In either case not a healthy situation.

With that said, I have long noted that although I believed that the General Assembly concept was potentially the embryo of an alternate form of government that would drive our vision for a new society there were some structural problems with the concept as practiced. Among those criticisms were the simple notions that majority rule and representative government based on political positions were concepts better suited to the struggle. Well, apparently others have, in the crucible of struggle, learned some of those lessons. Lessons that, perhaps, needed to be painfully worked through in practice before their shortcomings could be exposed. In any case this latest news from OB about a willingness to think about other governing forms is welcome news. Whether we remain generals without an army can now be hashed out but one thing seems certain this will go a long way toward breaking out of the circle spirit.
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OB Consents to Trial of Weekly Action Assembly

January 13th, 2012 • mhacker • Passed Resolutions No comments

The General Assembly of Occupy Boston consented to the following proposal on January 12, 2012:

Modify Sunday GA, creating a Strategic Action Assembly

Purpose:

1) To help Occupy Boston develop thoughtful and powerful messages that speak to the entire 99%.

2) To provide a time for Occupy Boston to come together, reflect on, and plan targeted direct actions and campaigns that will help maintain the occupation of the public conscience in the post-Dewey era.

3) To provide a more appropriate meeting format for the discussion of political, economic, and societal issues.

4) To enhance collaboration across and between working groups in movement-wide outreach and direct action campaigns and to aid the formation of affinity groups.

Proposal: We propose that Occupy Boston radically modify the format of the Sunday GA, creating what will be called a Strategic Action Assembly (aka Action Assembly or SAA). The new assembly format will experiment with new forms of process in order to brainstorm, facilitate, and organize direct actions. The SAA will not seek consensus on proposals or make decisions on behalf of the Occupy Boston movement.

Because it has the potential to reshape our GA process, we are proposing it with a 3-week trial period and an opportunity to reconsider afterwards. There will be a time to give feedback and an 80% temp check to continue this change.
The SAA working group will continue to explore space options that will work best for this meeting type.

Out In The 1950s Film Noir Night- Nicolas Ray’s “On Dangerous Ground”- A Review

Click on the headline to link to a Wikipedia entry for the film noir On Dangerous Ground.

DVD Review

On Dangerous Ground, starring Ida Lupino, Robert Ryan, Ward Bond, directed by Nicolas Ray, RKO Pictures, 1952


Sure, I have run through a ton of film noir of late good, bad, and indifferent and for lots of different reasons. In the film under review, On Dangerous Ground, you would expect that what I was looking at was an example of Nicolas Ray’s pre-Rebel Without A Cause resume. And this film is not a bad example of his directorial ability, especially his ability to frame black and white nature scenes rather starkly, but that is not why I am reviewing this film. The primary reason is one Ida Lupino. I saw her in a very B non-descript black and white film from 1942 with French star Jean Maurras and that reminded me of her great performance as Humphrey Bogart’s Roy Earle hard guy moll, or wannabe moll, in High Sierra. And so we were off to the races looking for her other work and here we are.

As for the rating part, good, bad or indifferent, remember, it is the latter. You always like a film to have certain cinematic core, a certain frame of reference, but this one just kind of gets away. That is not Ms. Lupino’s fault, or Mr. Ray’s, or for that matter Robert Ryan’s, who plays the high pressure big city cop at the center of the story. And maybe that is where it all falls down. See, Ryan, a guy who might have had early dreams of glory and kudos but they are long gone by the time he gets on screen, is waiting out his time until he gets his pension. Obviously in his chosen profession he sees nothing but bad guys, their tough dames and everything else that comes up from under the rocks. So this life steels him to any emotional commitment to see human existence as anything but short, nasty and brutish as Professor Hobbes used to say. Of course in an evolving “civilized” society one cannot be judge, jury and executioner so Ryan’s methodology for getting at the truth, the criminal truth, by beating it out of the tough guys, does not stand up to today’s Warren Court Miranda standards. So he is shipped out to the country to cool off for a while and to assist in a homicide investigation out in the wild-edged boondocks.

Bingo, primitive man meets primitive nature and one senses right away that Brother Ryan’s soul will be cleansed before we are through. But crime even hits the boonies every once in a while; here a heinous murder of an innocent young girl done by a very mentally disturbed young man. Enter, finally, Ms. Lupino as the disturbed young man’s sister, blind sister, who wants to do what’s right for brother but mostly that he not fall into the hands of the local vigilante justice that is hunting him like a dog, especially that dead girl’s father (played by Ward Bond) who swears vengeance unto death. Of course poor brother is doomed, one way or another. However during the course of the chase our cop is smitten (well, what else would it be) by Ms. Lupino’s ways of thinking and is drawn to her. The final segment of the film revolves around this unusual budding romance. Like I said, it is just a little too melodramatic to be a good noir. But don’t blame Ms. Lupino, Mr. Ryan, Mr. Ray, or even Mr. Bond for that.

Saturday, January 14, 2012

A Dream Fragment On Looking For A Few Good…Mystics -In The Matter Of Tom Wolfe’s “The Electric Kool-Aid Acid Test”

Click on the headline to link to a Wikipedia entry for Tom Wolfe's Electric Kool-Aid Acid Test.

Peter Paul Markin, North Adamsville Class Of 1964, comment:

Okay, blame this foam-flecked entry totally on old wanna-be “gonzo” journalist/novelist Tom Wolfe and his infernal 1960s classic countercultural expose The Electric Kool-Aid Acid Test. I’ll explain the ‘wanna-be’ part in some book review, or in some of other place where talking about and discussing the "new journalism (1960s-style, including the likes of Hunter Thompson and Joan Didion)” is called for. But, at least for now, I want to explain the why of that ‘where the blame should be placed’.

And why does Brother Wolfe (or is it really Brother Wolf?) earn this blame? Well, frankly, merely by telling this acid-etched (literally) story about the late author Ken Kesey (most famous for One Flew Over The Cuckoo’s Nest and Sometimes A Great Notion), his California-gathered (naturally, right?) tribe of Merry Pranksters, their then rural California coastal communal arrangements (or non-arrangements, or dis-arrangements, as the case may be), and their antics, including a collectively produced and massively-filmed cross-country “bus” ride “further in” that cemented their zany experiences. No kidding- you were truly either on the “bus” or off the “bus” if you got entangled with this crowd.

Oh, did I mention, as well, their deep-end “edge city” drug experiences, especially the then little known acid (LSD) trips? Those drug experiments, important as they were to the story line of the book, are, however, not what have me up in arms though. Hey, experimenting with drugs, or experimenting with sometime (sex, the karma sutra, zen, sex, abstract primitivist painting, free-form verse, sex, hitchhiking the universe, sex, etc.) was de rigueur in those halcyon days. I wouldn’t waste my breath, and your time, recounting those kinds of stories. Everybody did drugs back then, or was….un-hip. And almost no one, hip, un-hip, cloven-footed devil, or haloed angel wanted to be thought of as un-hip, un-cool.

The others, those who today claim memory loses on the subject, or some story along those lines, just lie. Or were cloistered somewhere, and such circumstances are better left untold. Or, and here is my favorite, didn’t inhale. The number of guys (and gals) who NOW say that they didn’t inhale exceeds the total youth tribe members of the 1960s, by far, especially those with wayward children of their own. Unless, of course, my numbers are off, slightly. I, in any case, need not go through that scene again. Read Wolfe’s book or watch Dennis Hopper’s Easy Rider, or ask your parents or…ouch, grandparents.

Today, however, I am excised on another point. Wolfe mentioned, repeatedly, the quasi-religious, mystical nature of the Kesey-gathered Merry Prankster tribal experience. And central to that, as to all such mystical communal experiences, is the emergence of some kind of “messiah” figure, or at least a chief mystic who guides the group’s actions, including the inevitable breakout into the real wide world when that time comes. Then, the breakout time, is when the power struggle really begins as the increased number of acolytes gather round and begin the long process of the selection of the “ins” and “outs”. To speak nothing of the very serious question of who is to “guard” the wisdom tablet (maybe, literally, a tablet in this case). Or who conducts the ceremonials to adhere the devotees. This is well-trodden ground, in any case.

And what in hell am I mad about that little quirky business for? Kesey was hardly the first guy or gal, and will hardly be the last either, to come down off the mountain to spread the “good news,” if only among the elect-at first. Hear me out though. I am sick and tired, utterly sick and tired, after a life time of listening, or really, half-listening to the latest screeds of the “god-seekers”, secular or religious. And of the side show carnival guys claiming for the umpteenth time they have the “new message” about human redemption. And of the about the 287th, or so, rendition of the story line of those who succumbed to some “conversion” religious experience. Enough, right? Well, perhaps, but what I want to blurt out is that, damn, I think Wolfe, and through him, Kesey were basically right that this was a time, the 1960s that is , when we, and I include myself in this as well, were looking for the “new messiah.”

For starters though, just in case the reader is caught up short on the term “new messiah”, forget all the rough and tumble organized traditional religious stuff. That was a non-contender, then anyway. Hell, that was what we were running away from, and running as hard as our wobbly, drug-filled heads would force our legs to take us. (The three of us who have "confessed" to such activity in those days, excuse me. I don’t know in what condition the others were in during their runs.) No, any “church” had to be in some freshly-mown meadow, or among the squirrel-infested pines, or at the edge of the earth on some place where ‘our homeland’ the ocean, the sand and our sense of the vastness of space met. And any “preacher,’ of the “good book” or, for that matter, of the virtues of demonology had to wear multi-colored, flowing home-spun robes, or some discarded army-navy store uniform, or some sheepskin vest, or maybe nothing. But, please, no collars around your neck, or ours. There were plenty of candidates looking for the job, looking to be heard, looking to be listened to and looking for those who were looking, for awhile anyway, until they ran out of steam, ran off with their sweeties, or with the cash box.

What we were looking for, at least what I think we were looking for was someone, once the traditional politicians proved to have feet of clay, or were mired in mud and blood up to their necks, or were blown away, to lead us to the “Promised Land.” That’s right the “Promised Land,” not some old quirky, queasy, hard scrabble, no air place that we all knew, or all of us that were “hip” knew, was not where we were at then. You know sometimes it was as simple as finding someone who had an answer or two. If they had a plan, or maybe had the whole thing mapped out, so much the better. Mainly they just didn’t have to shout about it to the whole square world and bring the squares in to corner it, corral it, organize it, and make it a thing that not even your square, square parents could love.

And that, my friends, is where someone like Ken Kesey got some play, got his edge. His simple Western- bred (American Western-bred) ways, his obvious literary talents that acted as a magnet for those who saw no real difference between mad scientist Kesey and ‘mad scientist’ McMurphy (in One Flew Over The Cuckoo’s Nest), and his strong branding personality held the Prankster commune together. For a while. Until he too proved to have feet of clay, and fled. But here is the main point in the end it required just too much of a leap of faith to sail into the mystic with the mystics. For those like me, and there were many others like me, we had our mystical moment but when the deal went down we had to look elsewhere to other names to “seek the newer world.” World historic names, names like Marx, Lenin and Trotsky, no one, except, maybe, those now professed non-inhalers and vanguard neo-con cultural dead-enders, would confuse with mysticism.

1960s, Class of 1964, counterculture, hippies, Rock and Roll

Wednesday, January 11, 2012

Poet's Corner- Bertolt Brecht's "To Those Born After"-In Honor Of Those Who Fought To "Seek A Newer World"

To Those Born After

I

To the cities I came in a time of disorder
That was ruled by hunger.
I sheltered with the people in a time of uproar
And then I joined in their rebellion.
That's how I passed my time that was given to me on this Earth.

I ate my dinners between the battles,
I lay down to sleep among the murderers,
I didn't care for much for love
And for nature's beauties I had little patience.
That's how I passed my time that was given to me on this Earth.

The city streets all led to foul swamps in my time,
My speech betrayed me to the butchers.
I could do only little
But without me those that ruled could not sleep so easily:
That's what I hoped.
That's how I passed my time that was given to me on this Earth.

Our forces were slight and small,
Our goal lay in the far distance
Clearly in our sights,
If for me myself beyond my reaching.
That's how I passed my time that was given to me on this Earth.

II

You who will come to the surface
From the flood that's overwhelmed us and drowned us all
Must think, when you speak of our weakness in times of darkness
That you've not had to face:

Days when we were used to changing countries
More often than shoes,
Through the war of the classes despairing
That there was only injustice and no outrage.

Even so we realised
Hatred of oppression still distorts the features,
Anger at injustice still makes voices raised and ugly.
Oh we, who wished to lay for the foundations for peace and friendliness,
Could never be friendly ourselves.

And in the future when no longer
Do human beings still treat themselves as animals,
Look back on us with indulgence.
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Markin comment:

To Those Who Come After

History in the conditional is always a funny tricky little thing. You can get wrapped up it in so bad that you begin to deny the hard reality of what really happened, what really bad happened usually. On the other hand you can do as most historians do and just plod along assuming because X, Y, or Z happened that was that. That’s the facts, jack and that’s it. Obviously to resolve this thing, or rather to get a real sense of the possibilities, some combination, some mix and matching needs to be placed in the maelstrom. And it is under that sign that I wish to understand Bertolt Brecht’s great poem, his great big tied-up with ribbons and bows valentine to future generations really, To Those Who Come After, that I have posted above.

Of course it is a matter of generations, no question. And what that generation could have, or could not have, done, and done differently to sway the funny little rhythms of history. For his, Bertolt’s generation, if they only could have held out against the imperialist imperative onslaught of World War I, or at least not gone alone like sheep until almost the very end. More germane, if they could have carried out to completion one of those big-time revolutionary possibilities in Germany that they had in the early 1920s. Or ceased their, Communists and Social-Democrats alike, willfully myopic view that the Weimar regime would hold out against the bootjack of Hitler’s storm streets without having to unite for an all-out fight to the death against the Nazi menace.

Moving forward to my parent’s generation, the generation that scarecrow survived the Great Depression of the 1930s and went on to survive, or wait on the survivors, of the D-Day and Pacific bloodbaths of World War II. If only they could have seen clearly enough that that Roosevelt guise was sheer deception to save his class in power (even if he had to fight them, the economic royalists, the one percent of his time, tooth and nail to do it) and create their own party, a workers party, after the tremendous class battles of the mid to late 1930s when they had the bosses on the run, a little anyway. Or hadn’t bought, bought hard into that white picket fence post-war dream and let the red scare dark night wash away whatever big (or little, but I think big) spark got them through the dustbowl miseries and war shellshock.

Once again moving forward to my generation, my disposable income record store soda fountain be-bop high school confidential night with some undiagnosed teen angst mixed with teen alienation generation, the generation of ’68, who didn’t want, well, didn’t start out wanting to anyway, buy into that red scare night white picket fence dream. If we could have just, a big “could have just” I agree, not thrown everything out with the bathwater and read some history we could have realized that it wasn’t just about us. Well, one way or the other, the Vietnamese taught us that lesson, that lesson about perseverance, about a sense of history and about using every tool around to get free. Or, closer to home, if we could have remembered where we had come from, most of us anyway, and dug our working class heels in sooner we could have left some kind of social movement worthy of the name instead of leaving future generations to start from scratch.

And moving on to our children’s generation. Oh, well, history records many retrogressions in the uphill struggle.

And now on to the generation that I am really directing this little “history” lesson to, the real subject of my “to those who come after,” those who roughly are students today, and are moreover the heart and soul of the Occupy movement that has suddenly jumped up onto the historic stage giving them a chance to change the course of history- on their terms. And, by the way incidentally giving to me (and others) from the generation of ’68 a second chance to make things right. Each generation I am firmly convinced must (and will) find its own ways to fight the monster. But know this, know this from first-hand experience, there is a monster on the loose out there, and that monster has a name, the American imperial state just now being captained by one Barack Obama. Whoever the captain is though the monster remains and that is where the “to the death” fight is.

And this is where Brother Brecht and I can share the same sentiments about being ill-equipped in our times to face those hard realities, to worry over half-measures, to not stay the course we knew we had to stay. So forgive us for not doing better, not doing a lot better. But forgive, or not, go slay that damn dragon.

Not Ready For Prime Time AARP Songs- The Beatles' "When I'm Sixty-Four"

Click on the headline to link to a YouTube film clip of the Beatles performing When I'm Sixty-Four from the animated movie Yellow Submarine.

Peter Paul Markin, North Adamsville Class Of 1964 and thus already past sixty-four, comment:

Many of my fellows from the Generation of '68 (a. k. a. baby-boomers) will be, if you can believe this, turning sixty-four this year. So be it.

When I'm Sixty-Four - The Beatles

When I get olded, loosing my hair,
Many years from now
Will you still be sending me the Valentine,
Birthday greetings, bottle of wine

If I stay out till quarter to three
Would you lock the door
Will you still need me, will you still feed me
When I'm sixty-four.

You'll be older too,
And if you say the word I could stay with you.

I could be handy mending a fuse
When your lights have gone
You can knit a sweater by the fireside
Sunday morning go for a ride

Doing the garden, digging the weeds,
Who could ask for more
Will you still need me, will you still feed me
When I'm sixty-four.

Every summer we can rent a cottage in the Isle of Wight,
if it's not too dear
We shall scrimp and save
Grandchildren on your knee
Vera, Chuck & Dave

Send me a postcard, drop me a line
Stating point of view
Indicate precisely what you mean to say
Yours sincerely, wasting away

Give me your answer, fill in a form,
Mine for evermore,
Will you still need me, will you still feed me
When I'm sixty-four.

Beatles, Class of 1964, counterculture, generation of '68, Rock and Roll, The Rolling Stones

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Ancient dreams, dreamed.

Ya, sometimes, and maybe more than sometimes, a frail, a frill, a twist, a dame, oh hell, let’s cut out the goofy stuff and just call her a woman and be done with it, will tie a guy’s insides up in knots so bad he doesn’t know what is what. Tie up a guy so bad he will go to the chair kind of smiling, okay maybe just half-smiling. Frank (read: future Peter Paul and a million, more or less, other guys) had it bad as a man could have from the minute Ms. Cora walked through the door in her white summer blouse, shorts, and then de rigueur bandana holding back her hair, also white. She may have been just another blonde, very blonde frail serving them off the arm in some seaside hash joint but from second one she was nothing but, well nothing but, a femme fatale. I swear, I swear on seven sealed bibles that I yelled at the screen for him to get the hell out of there at that moment. But do you think he would listen, no not our boy. He had to play with fire, and play with it to the end.

Nose flattened cold against the frozen, snow falling front window apartment project hang your hat dwelling, small, warm, no hint of madness, or crazes only of sadness, brother kinship sadness, sadness and not understanding of time marching as he, that older brother, goes off to foreign places, foreign elementary school reading, ‘riting, ‘rithmetic places and, he, is left to ponder his own place in those kind of places when his time comes. If he has a time, has the time of his time, in this cold war dust particles in air night.

A cloudless day, a cloudless Korean War day, hot, hot end of June day laying, face up on freshly mown grass near fellowship carved-out fields, fields for slides and swings, diamonded baseball, no, friendlier softball the houses are too close, of gimps, glues, cooper-plated portraits, of sweet shaded elms, starting, now that he too have been to foreign places, to find his own place in the sun but wondering, constantly wondering, what means this, what means that, and why all the changes, slow changes, fast changes, blip changes, but changes.

Nighttime fears, red-flagged Stalin-named fears, red bomb unnamed shelter blast fears, named Julius and Ethel Rosenberg hatred stalinite jews killed they killed our catholic lord and what did they do anyway fears against the glass glistening flag-pole rattling dark school yard night, alone, and, and, alone avoidance, clean, clear stand alone avoidance of old times sailors, tars, AND deaths in barely marked granite-grey lonely seaside graveyards.


Endless walks, endless sea street seawall walks, rocks, shells, ocean water-logged debris strewn every which way, fetid marsh smells, mephitic swamps oozing mud splat to make hard the making way for the uptown drug store, Rexall’s drug store, heist stolen valentine, ribbon and bow valentine night bushel, signed, hot blood-signed, weary-feet signed, if only she, about five candidates she, later called two blondes, two brunettes, and a red-head, sticks all, no womanly shape to tear a boy-man up, would give a look his way, his look, his newly acquired state of the minute Elvis-imitation look, on endless sea streets, the white-flecked splash inside his head would be quiet.


Walks, endless waiting bus stop non-stop walks, up crooked cheap, low-rent, fifty-year rutted pavement streets, deeply gouged, one lane snow-drift hassles, pass trees are green, coded, endless trees are green secret-coded waiting, waiting against infinite time, infinite first blush of innocent manhood, boyhood times gone now, for one look one look that would elude him, elude him forever such is life in lowly spots, lowly, lowly spots. And no dance either, no high school confidential (hell elementary school, man), handy man, breatheless, Jerry Lee freak-out, at least no potato sack stick dance with coded name brunette. That will come, that will come.

City square standing, hunched, hated, low-head hated, waiting, standing, going in, coming out, coming out with a gold nugget jewel, no carat, no Sputnik panel glitter for his efforts such is the way of young lumped crime, no value, no look, just grab, grab hard, grab fast, grab get yours before the getting is over, or before the dark, dark night comes, the dark pitched-night when the world no longer is young, and dreamed dream make no more sense that this bodily theft.

A bridge too far. Bicycle boy churning through endless heated streets, names all the parts of ships, names, all the seven seas, names, all the fishes of the seas, names, all the fauna of the sea, names. Twelve-year old hard churned miles to go before sleep, searching for the wombic home, for the old friends, the old drifter, grifter, midnight shifters petty larceny friends, that’s all it was, hard against the named seas, against those changes that kind of hit one side ways all at once like some mack the knife devilish thing

Lindo, lindos, beautiful, beautifuls, not some spanish exotic though, maybe later though, just some junior league dream fuss though, some future cheerleader football dame though, some sweated night pasty crust and I too slip-shot, too, well, just too lonely, too lonesome, too long-toothed before my time to do more than endless walks along endless atlantic streets to summon up the courage to glance, glance right at windows, non-exotic atlantic cheerleader windows. Such is the new decade a-borning, a-boring but not for me, no jack swagger, or bobby goof as they run the table on old tricky dick or some tired imitation of him. Me, I’ll take exotics, or lindos, if they every cross my path, my lonely only path

Sweated dust bowl nights, not the sweated exotic atlantic cheerleader glance nights but something else, something not endless walked about, something done, or with the promise of done, for something inside, for some sense of worth in the this moldy white tee shirt, mildewy white shorts, who knows what diseased sneakers, Chuck Taylor sneakers pushing the red-faced Irish winds, harder, harder around the oval ,watch tick in hand, looking, looking I guess for immortality, immortality even then. Later, in bobby darin times or percy faith times, who knows, sitting, sitting high against the lion-guarded pyramid statute front door dream, common dreams, common tokyo dreams, all gone asunder, all gone asunder, on this curious fact, no wind, Irish or otherwise. Who would have figured that one.

Main street walked, main street public telephone booth cheap talk walked searching for some Diana greek goddess wholesale on the atlantic streets . Diana, blonde Diana cashmere-sweatered,tennis –shoed Diana, million later Dianas although not with tennis shoes, really gym shoes fit for old ladies to do their rant, their lonely rant against the wind. Seeking, or rather courage-seeking, nickel and dime courage as it turns out, nickel and dime courage when home provided no sanctuary for snuggle-eared delights. Maybe a date, maybe just a swirl at midnight drift, maybe a view of coded submarine races, ah, to dream, no more than dream walking down friendly aisles, arm and arm along with myriad other arm and arm walkers on senior errands. No way, no way and then red-face, alas, red-faced no know even forty years later. Wow.

Multi-colored jacket worn, red and black, black and red, some combination reflecting old time glories, or promises of glory, cigarette, Winston small filtered, natch, hanging from off the lip at some jagged angle, a cup of coffee, if coffee was the drink, in hand, a glad hand either way, look right, look left, a gentle nod, a hard stare, a gentle snarl if such a thing is possible beyond the page. Move out the act onto Boston fresh streets. Finally, that one minute, no not fifteen, not fifteen at all, and not necessary of the fame game, local fame, always local fame but fame, and then the abyss on non-fame, non- recognition and no more snarls, gentle or otherwise. A tough life lesson learned, very tough. And not yet twenty.


Drunk, whisky drunk, whisky rotgut whisky drunk, in some bayside, altantic bayside, not childhood atlantic bayside though, no way, no shawlie way, bar. Name, nameless, no legion. Some staggered midnight vista street, legs weak from lack of work, brain weak, push on, push on, find some fellaheen relieve for that unsatisfied bulge, that gnawing at the brain or really at the root of the thing. A topsy-turvy time, murder, death, the death of death, the death of fame, murder, killing murder, and then resolve, wrong resolve and henceforth the only out, war, war to the finish although who could have known that then. Who could have know that tet, lyndon, bobby, Hubert, trickey dick war-circus then.

Shaved-head, close anyway, too close to distinguish that head and ten-thousand, no on hundred-thousand other heads, all shave-headed. I fall down to the earth, spitting mud-flecked red clay, spitting, dust, spitting, spitting out the stars over Alabama that portent no good, no earthy good. Except this-if this is not murder, if this is not to slay, then what is? And the die is cast, not truthfully cast, not pure warrior in the night cast but cast. Wild dreams, senseless wild dreams follow, follow in succession. The days of rage, rage against the light, and then the glimmer of the light.

The great Mandela cries, cries to the high heavens, for revenge against the son’s hurt, now that the son has found his way, a strange way but a way. And a certain swagger comes to his feet in the high heaven black Madonna of a night. No cigarette hanging off the lip now, not Winston filter-tipped seductions, no need, and no rest except the rest of waiting, waiting on the days to pass until the next coming, and the next coming after that. Ah, sweet Mandela, turn for me, turn for me and mine just a little. Free at last but with a very, very sneaking feeling that this is a road less traveled for reason, and not ancient robert frost to guide you.. Just look at blooded Kent State, or better blooded Jackson State. Christ.

Bloodless bloodied streets, may day tear down the government days, tears, tear-gas exploding, people running this way and that coming out of a half-induced daze, a crazed half-induced daze that mere good- will, mere righteousness would right the wrongs of this wicked old world. But stop. Out of the bloodless fury, out of the miscalculated night a strange bird, no peace dove and no flame-flecked phoenix but a bird, maybe the owl of Minerva comes a better sense that this new world a-bornin’ will take some doing, some serious doing. More serious that some wispy-bearded, pony-tailed beat, beat down, beat around, beat up young stalwart acting in god’s place can even dream of.

Chill chili nights south of the border, endless Kennebunkports, Bar Harbors, Calais’, Monkton, Peggy’s Coves, Charlottetowns, Montreals, Ann Arbors, Neolas, Denvers by moonlight, Boulders echos, Dinosaurs dies, salted lakes, Winnemuccas flats, golden-gated bridges, malibus, Joshua Trees, pueblos, embarkederos, and flies. Enough to last a life-time, thank you. Enough of Bunsen burners, Coleman stoves, wrapped blankets, second-hand sweated army sleeping bags, and minute pegged pup tents too. And enough too of granolas, oatmeals, desiccated stews, oregano weed, mushroomed delights, peyote seeds, and the shamanic ghosts dancing off against apache (no, not helicopters, real injuns) ancient cavern wall. And enough of short-wave radio beam trickey dick slaughters south of the border in deep fall nights. Enough, okay.

He said struggle. He said push back. He said stay with your people. He said it would not be easy. He said you have lost the strand that bound you to your people. He said you must find that strand. He said that strand will lead you away from you acting in god’s place ways. He said look for a sign. He said the sign would be this-when your enemies part ways and let you through then you will enter the golden age. He said it would not be easy. He said it again and again. He said struggle. He said it in 1848, he said it in 1917, he said it in 1973. Whee, an old guy, huh.

Greyhound bus station men’s wash room stinking to high heaven of seven hundred pees, six hundred laved washings, five hundred wayward unnamed, unnamable smells, mainly rank. Out the door, walk the streets, walk the streets until, until noon, until five, until lights out. Plan, plan, plan, plain paper bag in hand holding, well, holding life, plan for the next minute, no, the next ten seconds until the deadly impulses subside. Then look, look hard, for safe harbors, lonely desolate un-peopled bridges, some gerald ford-bored newspaper-strewn bench against the clotted hobo night snores. Desolation row, no way home.

A smoky sunless bar, urban style right in the middle of high Harvard civilization, belting out some misty time Hank Williams tune, maybe Cold, Cold Heart from father home times. Order another deadened drink, slightly benny-addled, then in walks a vision. A million time in walks a vision, but in white this time. Signifying? Signifying adventure, dream one-night stands, lost walks in loaded woods, endless stretch beaches, moonless nights, serious caresses, and maybe, just maybe some cosmic connection to wear away the days, the long days ahead. Ya that seems right, right against the oil-beggered time, right.

White flags neatly placed in right pocket. Folded aging arms showing the first signs of wear-down, unfolded. One more time, one more war-weary dastardly fight against oil-driven time, against a bigger opponent, and then the joys of retreat and taking out those white flags again and normalcy. The first round begins. He holds his own, a little wobbly. Second round he runs into a series of upper-cuts that drive him to the floor. Out. Awake later, seven minutes, hours, eons later he takes out the white flags now red with his own blood. He clutches them in his weary hands. The other he said struggle, struggle. Ya, easy for you to say.

Desperately clutching his new white flags, his 9/11 white flags, exchanged years ago for bloodied red ones, white flags proudly worn for a while now, he wipes his brow of the sweat accumulated from the fear he has been living with for the past few months. Now ancient arms folded, hard-folded against the rainless night, raining, he carefully turns right, left, careful of every move as the crowd comes forward. Not a crowd, no, a horde, a beastly horde, and this is no time to stick out with white flags (or red, for that matter). He jumps out of the way, the horde passes brushing him lightly, not aware, not apparently aware of the white flags. Good. What did that other guy say, oh yes, struggle.

One more battle, one more, please one more, one fight against the greed tea party night. He chains himself, well not really chains, but more like ties himself to the black wrought-iron fence in front of the big white house with his white handkerchief. Another guy does the same, except he uses some plastic hand-cuff-like stuff. A couple of women just stand there, hard against that ebony fence, can you believe it, just stand there. More, milling around, disorderly in a way, someone starts om-ing, om-ing out of Allen Ginsberg Howl nights, or at least Jack Kerouac Big Sur splashes. The scene is complete, or almost complete. Now, for once he knows, knows for sure, that it wasn’t Ms. Cora whom he needed to worry about, and that his child dream was a different thing altogether. But who, just a child, could have known that then.

Monday, January 9, 2012

Out In The Be-Bop 1960s Night- Dipping Into The Late Great Folk Scene Minute, Circa 1966

Click on the headline to link to a YouTube film clip of Woody Guthrie performing his alternative national anthem, This Land Is Your Land.

The Greatest Songs Of Woody, Woody Guthrie and others, Vanguard Records, 1988

Scene: Brought to mind by the classic Woody Guthrie song and hobo national anthem, This Land is Your Land.

“Hey Josh did you hear that the senior class is going to turn the school gym into a coffeehouse on the night of October 7th and have Ramblin’ Jack Elliot as the featured performer to raise money for their Olde Saco High School Class of 1966 Senior Prom. Cool, right?” yelled Jimmy Jones across the boys’ locker room divider to his best friend and fellow track runner, Josh Breslin. Josh, non-committedly, yelled back just as Jimmy turned on the shower to wash the day’s five mile run sweat away, “Ya, cool.” That particular response reflected (and hid) two important facts. One, Josh, wasn’t exactly sure what a coffeehouse was (other than a place to get coffee which he did not drink because all the latest studies indicated that caffeine consumption was bad, track runner bad, for your performance) and, two, he had not the slightest idea who or what a Ramblin’ Jack Eliot was.

All Josh knew for sure was that a long-legged, short-skirt-wearing (showing those long gams to great effect), long straight black-haired, often peasant blouse wearing Kitty (Kathleen) Saint Just, a girl in his junior English class that he was seriously interested in, very seriously interested in, was seriously into music, although exactly what kind of music he was not sure of except not his jump Rolling Stones be-bop rock ‘n’ roll after she gave him a weird look when he mentioned it one time after class. And most assuredly not Bob Dylan’s music, not his Like A Rolling Stone music that he also jumped to. Same weird look. What he was exactly sure of was that she would, having an older brother, Laurent, in the senior class be attending the concert. And Josh Breslin, handsome Josh Breslin or not, desperately wanted to be sitting next to Kitty, drink of coffee in hand or not, at that concert.

There was only one solution-Billy Monroe, Jimmy Joe’s son and his fellow classmate. For those over the age of twenty-one, for the squares, in the Olde Saco Main Street night, who do not know who Jimmy Joe is without more identification here is his cachet. Jimmy Joe Monroe owes the teenage boss Friday night (hell, and Saturday night too) hang-out on Main Street, Jimmy Joe’s Diner (and another one on Atlantic Avenue but that one doesn’t count because that is for people who want full dinners and stuff like that, not dogs and burgers like real people). And son Billy is the numero uno whiz kid for all kinds of music, and has been since about the fourth grade when he turned everybody on to Jerry Lee Lewis and his High School Confidential which blew Olde Saco Junior High wide open one school dance night. But that’s a story for another time.

Right now Josh needs Billy for a “refresher” course on ABC coffeehouse scenes and singers. So Josh hightailed it over to the Colonial Donut Shoppe (hey. they serve other stuff too not just joe and crullers) where Billy held forth after school. (For those, let’s face it, squares who wonder why Billy doesn’t hang out at Jimmy Joe’s with all the teeny-bopper girls, where have you been, haven’t you heard word one about teen alienation and from whom one is alienated numero uno from, Christ.) He caught Billy’s eye and told him of his dilemma.

Billy laughed, laughed loudly, but with no harm in the laugh. He couldn’t believe that Josh was clueless about the old-timey folk scene that had had its minute in New York and Boston about five years before but was now like, well like, ancient history. Josh was surprised to hear that Bob Dylan had made that scene, had been a big-wheel in it, and then blew it off like some bad karma once he moved on to real music, rock music. So Billy gave him the rundown on what a coffeehouse was, no big deal just a place for coffee and, kind of like Millie’s Diner up the road near the old mill where his father used to work and have his coffee and, except darker lit and strictly for kids. Josh thought, sounds kind of cool.

As for the Ramblin’ Jack part this was a little more screwy. It seems there was a big dust-up between Dylan and guys like Ramblin’ Jack over what to be true to. Both had started out kicking around songs by a guy named Woody Guthrie, a folk troubadour Billy called him, songs like This Land Is Your Land, Do Re, Mi, Hobo’s Lullaby and Depression songs, stuff like that. Strictly old-timey stuff. But Ramblin’ Jack stayed true blue and that is why he is working the faux coffeehouse high school prom fund-raising scene in the year of our lord nineteen hundred and sixty-six for coffee and crullers. “Got it now, Josh?,” murmured Billy. Ya.

Josh didn’t think anything of it other than as so much air like Darwin’s theory of evolution and other stuff in school until he called one Kitty Saint Just up on the phone and asked her to go with him to the senior class coffeehouse fund-raiser. She hemmed a little until Josh got the bright idea to mention that Ramblin’ Jack would probably be singing Woody Guthrie’s This Land Is Your Land, and some other songs which he Billy-rambled off. “Oh, Josh, you know about Jack Elliot?,” purred Kitty into the phone. “Well, yes, sure,” answered the now fox-wise Josh.

Dated, no problem, dated up pick me up at seven and as a bonus Miss Kitty is requiring the pleasure of his company this Saturday afternoon to come over to her house and listen to Ramblin’ Jack, Joan Baez, early Dylan (as she made very clear in her offering), Tom Paxton, Tom Rush, Dave Von Ronk and a bunch of other names he did not recognize. And it did not matter that he did not recognize the names because all he had to do was chant the Woody name and he was home free. Ya, this land is my land. Thanks Woody Guthrie whoever you are.

Folk revival, woody Guthrie

Sunday, January 8, 2012

The Latest From The “Occupy May Day Facebook Page” Website- March Separately, Strike Together –International General Strike- Down Tools! Down Computers! Down Books!- All Out On May Day 2012

Click on the headline to link to updates from the Occupy May Day Facebook Page website. Occupy May Day has called for an international General Strike on May Day 2012. I will post important updates as they appear on that site.
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An Injury To One Is An Injury To All!-Defend The Occupation Movement And All The Occupiers! Drop All Charges Against All Occupy Protesters Everywhere!

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Fight-Don’t Starve-We Created The Wealth, Let's Take It Back! Labor And The Oppressed Must Rule!
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OB Endorses Call for General Strike

January 8th, 2012 • mhacker • Passed Resolutions No comments The following proposal was passed by the General Assembly on Jan 7, 2012:

Occupy Boston supports the call for an international General Strike on May 1, 2012, for immigrant rights, environmental sustainability, a moratorium on foreclosures, an end to the wars, and jobs for all. We recognize housing, education, health care, LGBT rights and racial equality as human rights; and thus call for the building of a broad coalition that will ensure and promote a democratic standard of living for all peoples.
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Markin comment:

Wage cuts, long hours, steep price rises, unemployment, no pensions, no vacations, cold-water flats, homelessness, wide-spread sicknesses as a result of a poor medical system. Sound familiar? Words, perhaps, taken from today’s global headlines. Well, yes. But these were also the conditions that faced our forebears in America back in the 1880s when the “one percent” were called, and rightly so, “the robber barons,” and threatened, as one of their kind stated in a fit of candor, to hire one half of the working class to kill the other half, so they could maintain their luxury in peace. That too has not changed. What did change then is that our forebears fought back, fought back long and hard, starting with the fight for the eight-hour day symbolized each year by a May Day celebration of working class power. We need to reassert that claim. This May Day let us revive, revive big time, that tradition as we individually act around our separate grievances and strike, strike like the furies, collectively against the one percent.

No question over the past several years (really decades but it is just more public and in our face now) American working people, the so-called middle class for those who frown upon that previous more truthful designation, has taken it on the chin, taken it on the chin big time. What with job losses, heavy job losses in the service and manufacturing sectors (and jobs not coming back), paying for the seemingly never-ending bank bail-outs, home foreclosures, effective tax increases (since the rich refuse to pay, we pay), mountains of consumer debt for everything from modern necessities to just daily get-bys, and college student loan debt as a lifetime deadweight around the neck of the kids there is little to glow about in harsh light of the American Dream. Add to that the double (and triple) troubles facing immigrants, racial and ethnic minorities and women and the grievances voiced in the Declaration of Independence seem like just so much whining. In short, it is not secret that the working class and its allies have faced, are facing and, apparently, will continue to face an erosion of their material well-being for the foreseeable future something not seen by most people since the 1930s Great Depression, the time of our grandparents (or, ouch, great-grandparents).

That is this condition will continue unless we take some lessons from those same 1930s and struggle, struggle like demons against the imperial capitalist monster that seems to have all the card decks stacked against us. Struggle like they did in places like Minneapolis San Francisco, Toledo, Flint, and Detroit. Those labor-centered struggles demonstrated the social power of working people to hit the “economic royalists” (the name coined for the one- per centers of that day) to shut the capitalist down where it hurts- in their pocketbooks and property. The bosses will let us rant all day, will gladly take (and throw away) all our petitions, will let us use their “free-speech” parks (up to a point as we have found out), and curse them to eternity as long as we don’t touch the two “p’s.” Moreover a new inspired fight like the action proposed for this May Day 2012 can help inspire new generations of working people, organized, unorganized, unemployed, homeless, houseless, and just plain desperate, to get out from under. Specific conditions may be different just now from what they were in the 1930s but there is something very, very current about what our forebears faced down there and then.

We ask working people to join us this day in solidarity by stopping work for the day, and if you cannot do that reasonably for the day then for some period. Students-out of the class rooms and into the streets. The unemployed, homeless and others who have been chewed up by this system come join us on the Boston Common. All out on May Day 2012.

Saturday, January 7, 2012

When The Class-War Was Red Hot- Farrell Dobbs’ “Teamsters Rebellion” (The 1934 Minneapolis Truckers Strikes For Union Recognition) - A Book Review

Click on the headline to link to a James P. Cannon Internet Archive for an online copy of his important Lessons of the Minneapolis Strikes.

Book Review

Teamster Rebellion, Farrell Dobbs, Pathfinder Press, New York, 1974

No question over the past several years (really decades but it is just more public and in our face now) the American working class has taken it on the chin, taken it on the chin big time. What with job losses (and jobs not coming back), paying for bank bail-outs, home foreclosures, effective tax increases (since the rich refuse to pay we pay), mountains of consumer debt, and student loan debt as a lure for the kids there is little to glow about in harsh light of the American Dream. In short, it is not secret that the working class has faced, is facing and, apparently, will continue to face an erosion of its material well-being for the foreseeable future something not seen by most people since the 1930s Great Depression, the time of our grandparents (or, ouch, great-grandparents).

That is this condition will continue unless we take some lessons from those very 1930s and struggle, struggle as a class against the imperial capitalist monster that seems to have all the card decks stacked against us. And that is where the late labor leader (and, for a time, revolutionary socialist) Farrell Dobb’s little book on his (and his comrades) experiences in organizing the truckers of Minneapolis, Teamster’s Rebellion, can help inspire new generations of working people, organized, unorganized, unemployed, homeless, houseless, and just plain desperate, to get out from under. Specific conditions may be different just now from what they were in Dobbs’ 1934 Minneapolis but after re-reading this little organizing gem there was something very, very current about what our forebears faced down there and then.

I write this little review with a special purpose, a purpose driven by the rise of the Occupy movement, in mind. Although the Occupy movement is right now as I write going through some growing pains there are some disturbing trends that I have witnessed since its inception. The main trend for my purposes here includes a rather standoffish attitude toward the working-class, especially the organized working-class, as central to the struggle for a more equitable society rather than as just another numbered victim of American imperialism’s relentless assault on, well, if not the ninety-nine percent then some large percentage of the population. And that is where the lessons of the 1934 Teamster’s strikes comes in as a helpful antidote to that notion. As well as very helpful guide to what Occupy already does fairly well-organize auxiliary aspects of the class struggle like kitchens, libraries, speakers’ bureaus and the like.

A few highlights will illustrate my point. Minneapolis was a notorious anti-labor commercial town (flour, copper, farm goods, etc.) for generations leading up to the 1930s. It had a well-organized, ruthless, and, when necessary, armed business-centered Citizen’s Alliance that mostly kept out the unions for generations. Therefore a central demand, yes a front and center in your face demand, of the working-class there was for independent union recognition by the bosses (they recognized only their own “company” unions, or better, dealt with each individual worker separately). That was the first order of business for those militants, including the leading revolutionary militants (mainly Trotskyists in this situation but others as well). Along with that desire was the idea that those allies (inside workers who loaded the trucks, etc.) of the truckers should also be organized in one industry-wide union rather than the old craft union idea of separate unions for each category of worker (in short, to break the old “divide and conquer” strategy of the bosses and comfort zone of the labor skates).

Now this scenario may not immediately strike any current Occupy sympathizer as particularly germane for today’s struggles but that view would be short-sighted. For what Minneapolis (and the other main class battles of the 1930s in places like San Francisco, Toledo, Flint, and Detroit) demonstrates is the social power of the working class to hit the economic royalists (the name coined for the one- per centers of that day) to shut the capitalist down where it hurts- in their pocketbooks and property. The bosses will let us rant all day, will gladly take (and throw away) all our petitions, will let us use their parks (up to a point as we have found out), and curse them to eternity as long as we don’t touch the two “p’s.” And that is why it is profoundly mistaken to assume that the working class is only along for the ride like everybody else in Occupy. The various recent West Coast port actions is a somewhat skewed way (the longshoremen refused to cross the community picket lines rather than directly shut the ports themselves but the effect was the same-ports shutdown for a period) demonstrate that same proposition.

Beyond that central premise that is bed-rock to understand this book is filled with all kinds of information that is also important to know for any major show-down struggle with the bosses. Such class-war actions have to be carefully planned using every resource available (not just some happenstance thing put together at a whim, or less). So reading about the soup kitchens, the hospital, the make-shift garages (to transport roving pickets, a necessity in the many-sited trucking industry), provisions for entertainment, and a labor daily newspaper to counteract the bourgeois biases of the press sounded awfully familiar to me, and should to you. Some parts Occupy has got right, got right right from the start.

What, disturbingly, has not been right or has been some what blurred today is a clear understanding of the relationship between the bosses and their state (the cops, National Guard, mayors, governors, courts, prisons, etc.) and we the risen people. The militants (beyond the hard “reds”) in Minneapolis probably had some illusions in those institutions starting out, although probably less than those today, a few generations removed from those hard class battles. They soon “learned” about the cops in their three-stage (three separate strike actions from February to August 1934) fight. Learned about cops mostly at the wrong end of a night-stick (or tear-gas grenade) in the famous “Battle of Deputies’ Run”. About the courts and their rough, very rough “justice.” About the militia and who it serves. About the lying bourgeois newspapers and their scare tactics. About who were, and were not, the so-called “friends of labor” from Roosevelt on down. And even about the treachery of the labor skates, particularly the head of the very Teamster Union they were trying to join, Daniel Tobin.

What they also learned though, and we can learn as well, is that through combining together in solidarity in large numbers, through being politically clear-headed, through keeping independent of the main political parties, and most of all having the determination to fight for what you want you can win sometimes in this wicked old world. Read this little book and see if you agree.

Friday, January 6, 2012

Out In the Be-Bop 1960s Night- When Olde Saco Rocked, Rocked Into The Night

Click on the headline to link to a YouTube film clip of Otis Redding performing his torch classic I’ve Been Loving You Too Long.


CD Review

1965: The Beat Goes On, various artists, Time-Life Music, 1988


Scene evoked by the cover art that graces the front of this CD. The cover illustrates an example of 1965 teen jail-break concert, or better, some local teen queen bee club, where a local cover band, complete with mopped-hair and Nehru jackets, amped-up to the high heavens is trying to make its own musical break-out.

Ya, Olde Saco, Maine is rocking tonight. School’s over for the summer, mercifully over, and everybody who is anybody, anybody in the teen world, what other world is there, is out in the sea breeze night. Hell, Josh, Joshua Lawrence Breslin, freshly-minted junior-to-be at Old Saco High come the fall earlier in the evening even counted a bunch of walkers and others touristas who don’t really count out this night. This Friday night just before the French-Canadians from up in Quebec (the locals call them “cubies,” to draw a distinction between the foreigners and the homegrown varieties of French Canadian including Josh himself whose mother is a LeBlanc) descend on the town come July and take up all the air, the Maine soft fluffed beach sand, and the whiskey clubs with their arcadian dreams, and liquor stinks.

Ya, he chuckled to himself they sure don’t count, not tonight. And not down at the Surfside Club where the local favorites from up in Bangor, the Rockin’ Ramrods, are holding their first concert, well, dance really since they fronted for The Kinkies down in one of Boston’s Fenway night clubs a few weeks back. Now, for the squares, what the Surfside is about is a teen night club where no liquor is served, no official liquor okay. And only people eighteen to twenty-one can get in. Period, well, kind of period.

See last summer after the Beatles hit the shore the guy who owns the Surfside, Lenny LaCroix, decided he could make more dough, lots more dough, using his club on Friday and Saturday nights to let the teeny-boppers bop (hey, that is how he explained it to one and all in the Olde Saco Tribune). Before that he used to have a fox-trot and whisky crowd, mainly whisky, foul up the place for a few hours before heading off to watch late night television or something. And so almost every week since then every eighteen to twenty-one year old within fifty miles including those tweedy Colby girls and Bates guys came thundering down the newly opened Maine Turnpike to listen to what was what on the local music scene. But mainly to be seen, and see. Officially, okay

Hold on a minute. How does one Joshua Lawrence Breslin, who by no stretch of the imagination can fit the eighteen year old minimum either by looks or by stance, fit in. Well, that is where the old ancient human game, hell maybe Adam and Eve invented it, who you know, who you know in the Old Saco teen night scheme of things comes into play.

See the king hell king of that night is none other than usually day and night whiskey-soaked “Stewball” Stu (although nobody, nobody alive anyway, calls him to his face, not if they want to stay alive anyway) who has been the king of the car-crazed night here as long as anyone can remember. Why? Let us just say ‘57 cherry flaming hellfire red “boss” Chevy and be done with it. And Josh, having inadvertently done Stu a good turn turning over some local Lolita that Stu was interested in, has been riding “shot gun” on most Friday and Saturday nights in that '57 chariot for the past couple of years.

And the very long in the tooth (over 21) Stu is nothing but the guy who turned the owner of the Surfside, Lenny, on to the idea of evicting the sloe-gin fizz crowd and making his joint a teen club. Besides Stu, at the best of times an oily mechanic to normal people (read: non-teens), is nothing but a magnet for the legion of honeys who love ’57 Chevys, or rather love being seen in that kind of vehicle, and what that does to them in lots of ways. Best of all if Stu, who sometimes can be a hard and cruel king, is open-armed welcome his boy Josh is welcome too. So tonight is no different from a million other nights that way. Strictly Friday routine.

So this night Josh is making his usual trek over to Stu’s “house,” really just a mucked-up trailer cum ad hoc garage, hell, let’s just call it a dump and be done with it, down at the corner of his own wrong side of the tracks street, Albemarle, and Main. That trip is required protocol now since mother Delores (nee Leblanc, and no nonsense French-Canadian in such matters) put her foot down (or rather both feet) last spring and declared Stu and his car persona non grata and persona non car. No big deal this night though as the stars have come out and Josh dreams his usual dream, his usual Friday night salacious dream of “scoring” a bevy of babes at this hoe-down teen night club scene so that he will have one for each night in the week like his mentor, Stu. He arrives at Stu’s, they pass their usual grunt greetings, and they are off into the ocean air, wave-flecked night.

First stop. Or rather first pass through. Jimmy Jacks’ Diner (the one on Main and Atlantic, the teen girl magnet and guy hot car hang-out one, not the lame senior citizen blue plate special before six joint over on West Grand, hell no) to see who may be out and about early, who is not going anywhere near some hot teen club, and who, or what, crazed who is looking for Stu to go mano y mano with him on some dawn Squaw Rock “chicken” run. Ya, some crazed yahoo from the sticks or something who hasn’t heard that Stu and his Chevy are immortal. But this night “no dice,” nothing, nada and so it is off to the pier to scout things out there on the pilgrimage.

Scouting the pier is a much part of the Friday night summer ritual as breathing, no question. See this is like Stu’s coronation, or reaffirmation of his kinghood. And also see that the honeys who hang around the pier are those who, unlike Josh and his cachet, have no chance of sneaking into (or staying) the Surfside and so they must cool their act on the amusement park boardwalk. That little problem, however, does not stop them from getting in line, a line six deep at times, to oh, oh, oh, Stu’s Chevy and hope, hope that maybe tonight he sees their teeny-bopper charms. And Stu, normally a girl stoic at least out front, loves this adoration from, well from girls his own age, his socially developed own age. Josh though thanks his lucky stars Stu is that way ever since that local Lolita turnover, thanks his lucky starts everyday. Even if the Stu aura has never brought him any luck with those silly, screaming skee ball sticks. Even on a lonesome Monday night.

But even an adored king knows that hanging around parent and cop heavy boardwalks is ill-advised, especially ill-advised, when one Officer “Pete” is aiming dead-eye at Stu and getting his pencil and citation book out ready to pounce on some lame town ordinance to ticket Stu. They are off, although more than one pair of sad-eyed, mini-skirted sticks is moaning and groaning about the leaving. Jesus, Stu really is the king hell king.

Arriving at the Surfside (on East Grand just after the Acey-Duecey Club where all the lamo, old-time motorcycle guys and their “sweeties” hang trying to jump-start their youth dreams) Stu parks in the spot that Lenny has set aside for him as is appropriate for royalty. Stu and Josh go in. And, as usual, they split up and take their respective spots around the bandstand. For a while now Stu and Josh have agreed, no, Stu have proclaimed that once inside the club it is every man for himself and Stu wants no high school junior-to-be messing with his time. Period.

Stu, of course, gets his usual looks from the local shapes (no amusement boardwalk stuff here either, pure honey) who know that a look from Stu means a ride in that ’57 Chevy if not tonight then sometime. But see Stu’s fifteen minutes of fame is strictly local, the girls from the colleges, the ones that Josh eyes and spies, think Stu is, if you can believe this, nothing but a high school drop-out and/or hoodlum. At least that is what one such college girl had just told Josh, while they were slow dancing to Otis Redding’s I’ve Been Loving You Too Long, when he tried to lash-up to Stu’s star with a freshman girl, Laura, from Colby.

And see, maybe, she, Laura, was right, well right from her Colby perspective, because just before midnight Stu (with a hot red head, definitely a shape, in short green mini-skirt whom Josh had seen around town working in one of the summer hash houses) came up to Josh and for the umpteenth time told him that he had to find his own way home because, well, just because. Just then that Colby girl, maybe sensing that Josh wasn’t some Stu clone, jumped right in and said she would make sure that Josh got home. And the way she said it had Olde Saco Rock jetty beach front ocean “parking” and checking out the dawn written all over it. Ya, Olde Saco rocked that night.

Wednesday, January 4, 2012

A Populist Folk Singer For The Ages- The Dust Bowl Refugee- “Woody Guthrie: Dust Bowl Ballads”

Click On The Title To Link To A YouTube Film Clip Of Woody Guthrie Performing This Land Is Your Land.

CD REVIEW

Woody Guthrie; Dust Bowl Ballads, Woody Guthrie, Buddha Records, 2000

Although this space is mainly dedicated to reviewing political books and commenting on past and current political issues literary output is hardly the only form of political creation. Occasionally in the history of the American and international left musicians, artists and playwrights have given voice or provided visual reminders to the face of political struggle. With that thought in mind, every once in a while I have used this space to review those kinds of political expression.

This review was originally used to take an end around look at some previously unknown, if not hidden, Woody Guthrie work from the 1940 and 1950s that were not songs, but poems, reflections, and “speak-outs” that came to mind when Woody he had his lucid moments, an album entitled Note Of Hope. Best of all for those, like me, who worry about the future of folk music as the generation of ’68 dwindles these works were recreated and put to music (including producer Rob Wasserman’s fatalistic bass, yes, bass work) by some younger artists who will carry the torch forward. And that album brought me back to a Woody hunger and hence a refreshed look at his Okie dust bowl ballads.

My musical tastes were formed, as were many of those of the generation of 1968, by Rock & Roll music exemplified by The Rolling Stones and Beatles and by the blues revival, both Delta and Chicago style. However, those forms as much as they gave pleasure were only marginally political at best. In short, these were entertainers performing material that spoke to us. In the most general sense that is all one should expect of a performer. Thus, for the most part, that music need not be reviewed here. Those who thought that a new musical sensibility laid the foundations for a cultural or political revolution have long ago been proven wrong.

That said, in the early 1960’s there nevertheless was another form of musical sensibility that was directly tied to radical political expression- the folk revival. This entailed a search for roots and relevancy in musical expression. While not all forms of folk music lent themselves to radical politics it is hard to see the 1960’s cultural rebellion without giving a nod to such figures as Dave Van Ronk, the early Bob Dylan, Utah Phillips, Joan Baez, Pete Seeger, Woody Guthrie and others. Whatever entertainment value these performers provided they also spoke to and prodded our political development. They did have a message and an agenda and we responded as such. That some of these musicians’ respective agendas proved inadequate and/or short-lived does not negate their affect on the times.

As I have noted elsewhere in a review of Dave Van Ronk’s work when I first heard folk music in my youth I felt unsure about whether I liked it or not. As least against my strong feelings about The Rolling Stones and my favorite blues artists such as Howlin' Wolf and Elmore James. Then on some late night radio folk show here in Boston I heard Dave Van Ronk singing Come All You Fair and Tender Ladies and that was it. From that time to the present folk music has been a staple of my musical tastes. From there I expanded my play list of folk artists with a political message.

Although I had probably heard Woody’s This Land is Your Land at some earlier point I actually learned about his music second-hand from early Bob Dylan covers of his work. While his influence has had its ebbs and flows since that time each succeeding generation of folk singers still seems to be drawn to his simple, honest tunes about the outlaws, outcasts and the forgotten people that made this country, for good or evil, what it is today. Since Woody did not have a particularly good voice nor was he an exceptional guitar player the message delivered by his songs is his real legacy.

And now we have a second legacy look for the ages from the hard-edged American populist. Stick outs here include Tom Goad I and II (basically John Steinbeck’s Grape of Wrath in lyric form), California dreamin’ Do Re Mi, the outlaw love song Pretty Boy Floyd and I Ain’t Got No Home. A tip of the hat to Woody.

This Land Is Your Land-Woody Guthrie

This land is your land This land is my land
From California to the New York island;
From the red wood forest to the Gulf Stream waters
This land was made for you and Me.

As I was walking that ribbon of highway,
I saw above me that endless skyway:
I saw below me that golden valley:
This land was made for you and me.

I've roamed and rambled and I followed my footsteps
To the sparkling sands of her diamond deserts;
And all around me a voice was sounding:
This land was made for you and me.

When the sun came shining, and I was strolling,
And the wheat fields waving and the dust clouds rolling,
As the fog was lifting a voice was chanting:
This land was made for you and me.

As I went walking I saw a sign there
And on the sign it said "No Trespassing."
But on the other side it didn't say nothing,
That side was made for you and me.

In the shadow of the steeple I saw my people,
By the relief office I seen my people;
As they stood there hungry, I stood there asking
Is this land made for you and me?

Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me.

Notes Of A Street Corner Agitator- In Six-Part Harmony

Markin comment:

I have spent the better portion of my life fighting for one progressive cause or another, sometimes one issue, sometimes several issues in tandem. Mainly those fights have been with small crowds about, but not always. The always part is that throughout it all I have been ready, mostly ready anyway, to get up on the street corner soapbox, literally or figuratively as the case called for, and shout out, shout out until I was hoarse at times, the glad tidings of the new more equitable society a-bornin’. The following sketches are representative of those efforts although, except for the last sketch, they are not the actual words used but reflect the moments with a certain literary and political license.
*******
At the Parkman Bandstand on the Tremont Street side of the Boston Common or anyplace in between that location and the Park Street subway station on any one of several early weekday evenings in the summer of 1961. In those days time and space was reserved for anyone to speak from the ever present soapbox (literally a sturdy wooden box that one stood on to be hear above the crowd although the box used may, or may not, have started out life as a container for soap) about any subject that came to mind. Said speeches were, as now, directed to a small lingering audience and a larger indifference (or, occasionally hostile) audience glancing by as they quickly headed home, or went about their shopping business.

As we hone in on the scene the previous speaker, an elderly lady, small, very dignified, very well dressed, and very morally correct, had just finished up her remark sweetly railing against the proliferation of nuclear weapons in the name of her grandchildren’s future. The next speaker, a ragamuffin of a boy of fifteen, me, Peter Paul Markin, red-faced, Irish red-faced from over- exposure at the Adamsville Beach gotten a few days before, was ready to speak. His hands were sweaty, his bedraggled odd-ball Bargain Center purple shirt was wet with the summer humidity moisture that usually kept him indoors on such days, his pants, his de rigueur black chinos without cuffs were clinging to his off-shaped body as he leaped forward to the unknown on his maiden public speech on any subject. He starts a little timidly, weakly, and lowly and is asked to speak up by the few people who have stopped by that moment to listen up to what a mere boy had to say about anything:

“There is an evil in America, a terrible wrong going on right this minute down South, down in places like Alabama and Mississippi and we have to do something about it right now. Most of you have read the news, the news that kids, kids, just like me, except they are black are going up against the police so they do not have to be treated as second-class citizens, or really just to get out of slavery days. And older people too, people who work like slaves on the farms for no money, who can’t vote, can’t pay the money to vote, and can’t get out from under the racists who control their lives. They are fighting too, fighting as best they can under the great leadership of Doctor Martin Luther King who seems to know what he is doing. [From a passer-by: “Nigger-lover, go back to Africa with them, for chrissakes”]. No, no that man has it all wrong we were all born here and this is where the fight is. But you can see what we are up against and not just down South but here on the Common and over in my own hometown, North Adamsville.

Let me continue, although I am a little rattled by what that guy said. See he doesn’t know we are really fighting for him too. What I was trying to say was that we can do something here, here right now. You might have heard last winter that a bunch of college students down in North Carolina, a bunch of black kids and a few white ones too, tried to go eat lunch at Woolworth’s, a place just like the one over on Washington Street. A place where you probably have gone to eat just like me and had one of their great grilled cheese sandwiches, or something. Shouldn’t people be able to do that without being bothered? I want you to help us out by standing with us and do not eat at Woolworths’s okay. [Another voice, this time from the edge of the audience- “Commie, go back to Russia and take your kind with you.”] No, I ain’t no commie, no way, but you don’t have to be a commie to see that it just isn’t right that people can’t eat where they want, or go to school where want or vote just like us.

Let me finish up though so the next speaker can get his turn. What we really need to do is write to our beloved president, our own beloved Irish Jack Kennedy, who last fall when he was running for President I roamed the streets of North Adamsville for putting his literature in doorways and stuff, and tell him to sent his Justice Department people, his brother Bobby, down to Mississippi right now and straighten things out. Straighten things out so that Negros can have the same kind of dreams as he talked about in his inauguration speech in January. Will you do that? Thanks. [Sight applause and a few yeses] “

As I turned to get off the platform to give time to the next speaker from the back of the audience I heard a distinct voice, distinct black southern voice say in a low tone, “Praise be, brother, praise be.”
*******
I have put on my “soapbox” street corner agitation in many corners of this country since that first day going over the summer heated North Adamsville Bridge to Boston and my first Common speech in the summer of 1961. Just now on this May Day 1971 I am standing this Monday morning, wearily standing after very little sleep this past weekend, near the Washington Monument Mall haranguing a crowd of anti-Vietnam War protestors to keep pushing on although we have suffered a grievous defeat this day, a day when we had proclaimed with much bravado that if the government (the Nixon government just then) did not close down the war then we would close down the government. All we have received for our efforts is tears, tear-gas, and massive arrests after being picked off like fleas by the massive police and military presence and not even a close approximation of shutting down this evil government. But tomorrow, literally tomorrow, is another day, and the anti-warriors need some assurance that their efforts will be more fruitful the next day, and the next day, and next until we meet our goal. End that damn war, and end it fast.

I, Peter Paul Markin, this day only a few months out of an army stockade for my military service anti-war work, am again “courting” arrest on the streets of Washington. It is hot in Washington this day, made hotter by the constant running to avoid the cop traps that seem to be everywhere but I made it to the Mall which is something of a “safe haven” from the madness of the tear-gassed streets and baton-wielding cops. Appearance and attire: youth nation de rigueur army jacket (no, not the GI issue one that I was discharged from the service with but a “real” World War II Army-Navy Store purchase, two dollar purchase), bell-bottomed jeans, army boots (boots that I did leave said service with), a flannel shirt against cold nights, and a trusty green knapsack (not Army issue) with all my
possessions. Hair getting longer uncut from Army times and the wisp of a beard growing to manly length, slowly. My mother’s comment: “You dressed better, much better when you were in high school.” Ya Ma, but now it is cool to be unkempt-don’t you get it. But enough let’s listen to this harangue of the maybe hundred plus crowd seeking verbal shelter from the storm:

“Although I was in the military I do not know much about military strategy and tactics since I spent most of my time fighting against the war-machine including time in the stockade. [Audience; light applause] I do know this though we have suffered a defeat, a military-like defeat today in trying to shut down this evil government, this evil Nixon government which has no legitimacy, none at all and wouldn’t even be here if Bobby Kennedy was alive [Audience: a couple of deep boos] Don’t worry out there I am not going to go on about that. We have more pressing business. We still have to shut this evil government down. We have to stand with the heroic struggles of the Vietnamese people who are today, and every day, facing much more than tear-gas, much more than unlawful assembly arrest, facing everything that the American military monster can throw against them, and maybe more that we don’t even know about. Like that Agent-Orange stuff that we keep hearing about that is destroying everything in sight for years in a country that depends on agriculture. [Audience: Right on, brother].

When we take that kind of beating then we will be able to complain, complain a little, but not until then. [Right on!]. Now I know a lot of people have been talking about leaving D.C. because of what happened today but we said yesterday, a lot of us said we were in this for the long haul, right? [Yes, brother from a few voices] Hey I am afraid too. I don’t want to go back to jail, hell no, but if that is my fate then so be it. Like Che said we have to fight here “in the belly of the beast,” and we have to fight proudly since the fate of the earth depends on it. [“Viva, Che!” from several voices]. Now maybe not everybody can be a street fighter, I know that, but stay and support our efforts okay. Steve Sloan will now come up and tell us about tomorrow’s actions. Down with American imperialism! Down with the American war-machine! Long live the people’s struggles!”
*******
A warm California October 1981 day, a warm San Francisco day, not always the same thing despite the travel brochures, as I walk up to the small, jerry-rigged “podium” in a corner of City Hall Plaza to make my one hundred and first, or so it seems speech against the unfolding Reagan “doctrine” in Central America, primarily to blast the Soviet-aided Sandinista government to smithereens (and, incidentally the same to the pesky Salvadoran rebels). Overtly, or covertly, blast to smithereens it does not seem to matter to this rabidly anti-communist cabal who have nightmare visions of Cuba 1959 redux.
I am showing just the slightest sights of age, or rather of losing a certain youthful innocence about our capacity, our left-wing capacity, to build a more equitable society in my lifetime and so my demeanor is a little less the “shout to the rafters” jubilee certainty of ten years ago or so. Showing the age part does enter a little though but the few flecks of grey showing up unwanted in my beard, and in my now shortened hair, shortened against the work-a-day world, the nine-to-five grind that requires certain personal compromises. I still retain, fiercely retain, my working-class casual garb; denim jacket, black chino pants worn since de rigueur high school days, busted-blue work shirt (to show I am one with the companeros perhaps), and stolid black shoes better for walking these protest miles these days than the old Chuck Taylor's of old. Let’s listen up as the last speaker, a very eloquent young women speaking on behalf of the emerging sanctuary movement, a movement responding to the very real fears of some illegal political immigrants from all over Central and South America to be deported back to the “black hole” that awaits them if they have to go back, walks back to her chair:

“Hola, Que Tal, Hermanos and Hermanas, Hello, What’s Up, Brothers and Sisters, there is a madness in the land, in this Norte American land and it has a name. Ronald Reagan. And it has an address. Washington, D.C. And the madness? These cowboys, and you who lived here in California in the 1960s under the cowboy-in-chief know this better than I do, are hell-bent on turning back the clock on any social progress here, or anywhere. And just this minute that anywhere is Central America where we have just gained a victory, a tenuous victory against reaction in Nicaragua, and we are fighting like hell to get one in El Salvador. Long live the Sandinista struggle! Long live the FMLN! [Cheers and chanting of those two slogans]

But as long as American imperialism exists, as long as the greatest military machine in history exists, those steps forward are always in danger. And that is why the help that the Soviet Union is providing, and in my opinion not providing enough of, is important. I have my differences with the Soviets, no question, but on this one they are right, right as rain. [A couple of boos and a “Down with Soviet imperialism” are heard.] To keep the American monster from bringing back the banana republic days, the Somoza dictatorship days.

And that is why we need to keep clear who are friends are here in this proxy war, this proxy Cold War just like in Angola a while back. That is why we must call for stepped up Soviet aid and that is why we here in the “belly of the beast,” as Che used to say, need to take concrete steps to help by providing funds for the Sandinista cause. Their struggle is our struggle. If they lose, we lose. It is that simple. Long live the national liberation struggles. Fight for a Workers Republic in Nicaragua!”
*********
A christ cold day in January, an early January christ cold Park Street subway station on Boston Common 1991 day, the sun going down over the John Hancock building making it even more christ cold as we make a last ditch effort to stop the impending American imperial army (and so-called coalition forces but you know who is running the show) invasion of Iraq over “poor little Kuwait,” jesus. The few hundred people present are forming a circle, a circle of life according to those who insist on such antics, which I assume was meant to ward off the evil spirits and bring peace. Me, I prefer, greatly prefer some labor action, some longshoremen refusing to ship military goods but that is music for the future, maybe. What is not music for the future, and really music from the past, a certain then growing pains past, is that circles, squares, hexagons or whatever geometric shape you are now touting are now replacing the urgency of hard anti-imperialist actions against the American war machine. It is as if this “peace” movement has regressed to those 1961 days when I stood on this very ground and held hands with my line neighbor and spoke of “soft” peace in the world. But that was just youthful ignorance on my part. This christ cold night studied ignorance rules.

Those flecks of grey in beard and hair of ten years ago have marched on, marched on in triumph, although the garments are no longer aged (except of course those chinos, oops, Dockers now, a little larger, a little more room) as I take my turn “in the circle” to have my say after the last dozen speakers have cried to the heavens for peace, like that mantra would solve everything. Listen up to this crowd-pleaser:

“Nobody here should have anything but contempt for Saddam Hussein and what he has done in Kuwait. Let me make that clear, especially clear, since old Saddam used to be American imperialism’s “boy” back in the day when we all loved him, well almost all, okay. Now he is the devil incarnate since his has turned rogue and fouled up the American government’s cozy deals in the oil-rich Middle East.

But this impending war is not about Saddam or what he did or didn’t do to upset the apple cart in the “new world order” that Bush want to put in place. This is about the exercise of American military power, the vaunted war death machine and about American hubris. Now most of the previous speakers, in fact maybe all of them, have chimed in on the need for peace. And, of course, we all want peace, even George H.W. Bush, except his is the peace of the graveyard for the Iraqi people. So here in an America, here in what the great Argentine revolutionary Che Guevara called the “belly of the beast” have a special obligation to oppose the actions of this government. We are duty-bound to defend Iraq against American attack, no question. No question at all. Otherwise we cannot build an anti-war, anti-imperialist movement worthy of the name. The struggle starts here against this government. Down with American imperialism! Defend Iraq Against American Attack!” [Silence, utter silence]
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A late September 2001 Boston day, a day before the leaves begin to turn, before the whitened winter sets in but some time after the hellish 9/11 has fully taken its tool on whatever is left of American democracy. A small clot of anti-imperialist fighters is meeting this day in the courtyard quadrangle at Northeastern University to ward off the impending invasion of Afghanistan in the aftermath of 9/11 and the search for scapegoats, Taliban/Al Qaeda scapegoats. Meeting at the traditional site of protest in Boston, the Common, is out of the question just now with the fury over the World Trade Center still not abated, no even close. Even this spot, this campus location, is shaky, very shaky, as all thoughts of anti-war, anti-imperialism by students and others have gone out the door. Revenge, revenge is the order of the day for all but this clot, this very small clot of activists standing with me.

Although, perhaps, on this occasion it does not matter, in the interest of literary completeness, the writer’s hair and beard are now completely grey and his garb not significantly different from that of ten years ago. What is different, significantly different from ten years ago is that, for one of the few times in his political career, he is afraid, afraid that he will be pummeled for what he has to say in this deeply hostile post 9/11 environment. That every “commie,” “go back to Russia,” get a job,” “Traitor,” remark of the past pales in the anger he can sense and not just from the usual yahoo sources but from “soccer moms” and others who think about politics about once every ten years. Cup your ear and listen up, listen up hard, because he has a catch in his voice this day:

“No one, not one self-respecting human on this planet can do anything but condemn, condemn in no uncertain terms, the criminal acts that took place in New York at the World Trade Center. That should be clear to all the few who hear me today. But there are larger questions posed, posed long ago by the American imperial state when their government decided, decided consciously to rip up and rule this planet for the few. None here, who were old enough, did anything but condemn the American invasion of Iraq in 1991, and the continuing imperialist-driven economic and military sanctions against that state.

Now we are here confronting another American imperial adventure, the revenge invasion of Afghanistan for the acts of the Taliban and Al Qaeda. Organizations that we have no truck with, no truck at all. Over the years I have, and others whom I have worked with have, very easily condemned every act of American imperialist from Vietnam to Serbia, and done so forthrightly. On Afghanistan, and the military invasion this time, we have lost some of those former supporters. Revenge for innocent victims, even by an imperial monster, is hard to resist. But it must be said now if it to be said at all. Down with American imperialism! Hands Off Afghanistan!

To finish up. I have, over the years fought for many unpopular causes, from black civil rights down South facing off against hardened racists, to being called a “communist dupe (and worst)” for the whole range of anti-imperialist actions from Vietnam to Serbia. And I have done so, mainly, out on the streets of this country. Today though I am afraid, afraid for the first time in my long political career, to be out on these protest streets. Not of the hardened racists, not of the know-nothing red-baiters, but of ordinary citizens, friends, neighbors, and in some cases long-time political associates who look at me with hatred or distain. For the first time I thought about taking a political dive on this question of the American invasion of Afghanistan. No, no can do. Down with American imperialism, wherever it rears its ugly head. [Slight applause.]
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A fairly warm, fairly warm for mid-December 2011 Boston day turning into night at 4:00 PM standing once again somewhere between the Boston City Hall (now replete with huge circus tent for the latest carnival attraction, Peter Pan) and the John F. Kennedy Federal Building, named ironically, ironically for probably the first big time political figure that I could get my head around back in the day. Today, like many days past since youth I am standing here in opposition to some vile act that so-called “friends of the people” Democrats have done. Here the recent police occupation of the Occupy Boston space at Dewey Square in the name of, in the name of what, order I guess, their order. But I am also here to pass the torch, the torch of a revitalized labor movement that is beginning to stir with this day’s actions out in the West Coast of activists trying to shut down the ports. That is the glad tiding I bring today.

Of course the world has moved on since 2001. Now the populace, in a general and vague way, has repudiated the war in Afghanistan, although no the revenge motive that drove that original support. Economic strife rules the land and a new generation, or the best parts of it, are beginning to stake their claims in the political struggle through the
Occupy movement. A movement that exploded onto the political scene with the advent of Occupy Wall Street in mid-September.

Of course also, as I never tire of saying of late, each new generation must find its own forms of struggle, its own forms of organization, and its own voice. This Occupy movement, unlike other earlier ones, does not depend on trusty bullhorns to get the message out but the “people’s mic” and the very present “mic check” when one wants to speak to the general audience. This form centers on a loud voice and refrain from the crowd to get the speaker’s message to the outer fringes of the audience. Today I prefer the proffered “old-fashioned” bullhorn but after some fumbling I can see the benefits of the “new way” a little better for future reference. Here goes. Oh, just for the record the hair and beard are whiter, much whiter now. And the garb is replete with a pair of New Balance running shoes for easier walking since my knee operation. Farewell, Chuck Taylor’s, sandals and soft shoes. But listen up:

“I will read from prepared notes. Let me explain why. In the old days, my old street corner agitator days, I could whip up a speech off the top of my head. But of late, before the fresh breeze of the Occupy movement blew across the Boston waterfront, I was more used to sitting at tables in small, over-heated rooms. Or participating in small marches, rallies, and vigils where such oratorical skills were not in much demand. But let me get to my main point.

Sisters and brothers, brothers and sisters, no question, no question at all that the recent police occupation at Dewey Square was a big defeat, a big if temporary defeat, for our struggle for freedom of expression and assembly in the public square. In response, over the past few days not a few younger or newer activists, not used to the ebb and flow of the political struggle, the class struggle, have been disheartened and expressed a sense of defeat.

Today though I bring you glad tidings. The sleeping giant of the labor movement has begun to stir. The long night of despair and disorientation is beginning to lift. At the beginning of this year when the struggle of the public workers unions in Wisconsin heated up I, among others, proposed a general strike and solidarity rallies in order to beat back the anti-labor attacks. We were written off as mad men and women, old-time leftists gone off their rockers. General strike, shut down, no, that was okay for those Greek workers who seemed to strike every other day, or those French workers who struck every day. In America, never. And then came the mass actions in Wisconsin, the shut down of the Port Of Oakland on November 2nd, and today’s actions. Now we can quibble over whether such events are real general strikes or not but now the language of general strike and shutdown is firmly etched on labor’s political agenda.

The old Polish socialist scholar, Isaac Deutscher, once remarked back in the 1960s heyday of the anti-Vietnam War movement that he would give up all the endless marches, rallies and vigils for one dock strike against the war. He was right. We have to hit the war-mongers, the capitalists where it hurts-their profits and power. And today’s West Coast actions are proof of that proposition. If the age of the Occupy encampment has passed so too has the age of endless marches, rallies and vigils. They certainly have their place but now we must take the offensive. Now every action must be thought out to measure the effect on breaking the power of the one percent.

I had, several weeks ago, proposed to various people that we shut down the Port of Boston today in solidarity with the West Coast. That proposal was premature considering the situation in the Boston movement. But someday, someday soon, we too will be marching to shut down the port. To shut down GE in Lynn. To shut down the Bank of America. To shut down this government. And maybe not to just shut them down for a day either. I will leave you with this thought. We created the wealth-let’s take it back. Working people and their allies must rule!”